This book disappointed me, not because it was bad, but because it had the potential to be outstanding. While Hannah does a wonderful job portraying the state of occupied France in World War II, the characters felt like types. Many reviewers praise the sheer originality of the book for its portrayal of French women in WWII, but I kept thinking of Jojo Moyes's stronger novel The Girl You Left Behind. Release date: February 3.

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It's Denver, 1962, and Kitty Miller is happily living the single life, co-running a struggling bookstore. But then she begins having dreams that show her an alternate reality: the life she would have had if one single moment had unfolded differently. (Think Sliding Doors.) Julia Roberts is set to star in the film adaptation.

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Talk about big fat books: This time-travel romance series has 9 books to date, totaling 9,381 pages, 300+ hours on Audible, and incorporating time travel, the Scottish highlands, romance, drama, and history. As she tells it, Gabaldon intended to write a realistic historical novel, but a modern woman kept inserting herself into the story! She decided to leave her on the page for the time being—it's hard enough to write a novel, she'd edit her out later—but would YOU edit out Claire? I didn't think so. You could happily lose yourself in this series (but heads up for racy content and graphic torture scenes).

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Shorr puts a fictional spin on real-life Brazilian folk heroes Lampião and Maria Bonita in this lyrical debut. After enduring 6 years of a loveless in-name-only marriage to a man she couldn’t stand, Maria Bonita leaves to become the wife of Lampião, Brazil’s beloved bandit, whose vigilante justice is indisputably more fair than the official kind. Soon Maria earns renown as the fiercest woman in Brazil, the queen of a band of merry outlaws. A well-paced novel, if not a page-turner: don’t give up when the going is slow in the first two chapters. It gets better. Evocative and moving.

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Riveting historical fiction by one of the finest historical novelists. Penman takes on fifteenth century England and the War of the Roses, recreating the life of Richard III: England's most controversial and most vilified monarch. The first hundred pages read like a history book (and I don’t mean that as a compliment) and the cast of characters is a bit overwhelming at first, but keep at it. Recommended reading for Outlander fans (but no time travel here).

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I loved A Tree Grows in Brooklyn so much I decided to move on to another of my mom’s favorites. Again, what was I waiting for? It was a little slow in the beginning, and the purposely bad grammar and diction got on my nerves, but don’t give up—the author knows what she’s doing, and it gets better. The story about a woman in the Old West really works in diary format. Brutally honest, heart-wrenching, engrossing.

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I’ve been meaning to read this forever and finally got to it last month—and I’d completely forgotten that it was one of my mom’s favorites. When I mentioned on the blog I was reading it, many readers chimed in to say it was their favorite book of all time. Some novels just tell a great story: this is one of them. Set in South Africa during the 1930s and 40s, following the struggles of a young boy named Peekay. The breadth of the story is fascinating (boxing, apartheid, horticulture). The beginning reminded me of All the Light You Cannot See, not a bad comparison, but a sad one. A story of resiliency and redemption.

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Michener is best known for his sweeping historical sagas: he wrote this epic novel to commemorate America’s bicentennial in 1976. This is the story of the American West, and especially Colorado. It spans 136 million years, covering the prehistoric era, Native Americans, trappers, traders, homesteaders, gold diggers, and cowboys, right on up to 1970s America. Meticulously researched, and so accurate it’s required reading for some history classes. Gripping enough to keep you turning all 1056 pages, more than once.

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This 2014 release got a ton of end-of-year buzz. The writing was solid but I ultimately found the story—an exploration of love, affluence, and greed—unsatisfying, because the author left some of the most compelling parts of the story unexplored. I wouldn't bother with this one if I had it to do over. I listened to this as an audiobook, and Davina Porter's narration was pitch-perfect.

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Eugenia “Skeeter” Phelan graduates from Old Miss in the 1960s and returns home to Jackson, looking for a topic to write about. She decides to tell the story of the Help. Skeeter was raised by a kindly black maid, as were many of her friends. Now they’re having babies and hiring black maids of their own. Skeeter interviews the maids of Jackson to find out what it’s really like to be a black woman who leaves her own babies at home so she can earn a living raising white women’s babies.

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Nearly all of Morton’s novels are beloved, but in my opinion, The Secret Keeper is her finest. When she was 16, Laurel witnessed a violent crime involving her mother, Dorothy. The family hushed it up, and Laurel hasn’t spoken of it since. Now, fifty years later, Dorothy is dying, and Laurel is determined to unravel the secret while there’s still time. As Laurel pursues her clues, the story flips back and forth in time between today and the years before and during World War II, including the London Blitz, which Morton recreates so vividly you can almost hear the bombs dropping. Filled with twists and turns that will keep you guessing to the end. More info →

I've been meaning to read this modern classic and 2009 Booker Prize winner for AGES: it's been often praised as a believable and meticulously researched novelization of Tudor England in the Cromwell era. Fall felt like a good time to finally jump in; at my friend Mel's urging, I listened to the audiobook narrated by Ben Miles. This is a tale both of Henry VIII's court and of human nature; Wolf Hall, the first in a trilogy, covers the era when the king has determined to marry Anne Boleyn but is still married to Katherine of Aragon, and is pressuring everyone in his circle to make his new marriage possible. I had to mind every word, glance, raised eyebrow, and stiffened shoulder to track who was currently in the king's graces and whose very life was in peril. This was exquisitely done and I'm so glad I finally read it.

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The publisher calls this Passing meets The House of Mirth. Tanabe's new historical novel is based on the fascinating true story of Anita Hemmings, the first black women to graduate from Vassar College, who passed as white to gain admittance. Set in turn-of-the-century New York, Anita's life becomes a lot more exciting—and a lot more dangerous—when her new assigned roommate belongs to one of New York City's most prominent families, and drags Anita into a new and glamorous world. But nothing means more to Anita than Vassar: she must keep her secret or she'll be expelled. As she desperately tries to straddle two worlds, she edges ever closer to losing not only her education, but the people she loves most. Publication date June 7 2016.

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This Gothic mystery is slow to build but those who persevere will be rewarded. The plot flips back and forth between World War II and the 1990s, but not in the way you'd expect. The setting is a crumbling old castle, which contributes to the story's creepy (but not quite scary) feel. Some readers think this is Morton's best work.

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This has been on my TBR for a while, because so many historical fiction fans recommended this to me as Meissner's best novel. The action goes back and forth in time between two women, a century apart, who are linked by a beautiful scarf and by their unlikely survival in two devastating tragedies in New York City. Meissner's tone makes this an easy, enjoyable read despite the tough subject matter—I read this in a day.

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If the Brothers Grimm wrote The Secret Garden, this is what it would have been like. This sprawling family saga gets a little unwieldy at times, but I can't say I minded much. History, fairy tale, family drama, and Gothic mystery rolled into one.

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Booklist (starred review) calls this "With language evocative of the South ('craggy as a shagbark stump') and taut, almost unbearable suspense, dramatized by characters readers will swear they know, this galvanizing historical portrait of courage, determination, and abiding love mesmerizes and shocks."

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Meissner takes us back to the London Blitz through the eyes of two sisters. Fifteen-year-old Emmy Downtree dreams of becoming a fashion designer but her younger sister Julia needs her as they adjust to being evacuated from London and settling into their foster home in Cotswold. When the sisters get separated, one will carry a burden for the rest of her life, until she meets a young American scholar who is eager to learn her secrets. Enjoyable and moving. 

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The author's working title (and desired title) for this work was Christina's World, named after the Andrew Wyeth painting so many of us fell in love with the first time we laid eyes on it. In this biographical novel, Kline upends the narrative, telling the story from the perspective of the portrait's subject, "middle-aged" spinster Christina Olson. This isn't a book that will make you feel warm and fuzzy inside. It IS probing, thought-provoking, and extremely discussable.

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I loved this historical novel from the bestselling co-author of The Guernsey Literary and Potato Peel Pie Society. From the publisher: "Annie Barrows once again evokes the charm and eccentricity of a small town filled with extraordinary characters. Her new novel brings to life an inquisitive young girl, her beloved aunt, and the alluring visitor who changes the course of their destiny forever."

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Taylor Jenkins Reid branches out with a new historical novel about a Hollywood starlet fashioned in the image of Elizabeth Taylor and Rita Hayworth.

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I began this book knowing nothing about it, and it took me a while to get my bearings. Atkinson's creative (and sometimes, mind-bending) structure shows clearly how tiny choices in her protagonist's life (and the lives of those around her) lead to vastly different outcomes. Vastly. Ursula Todd dies before taking her first breath, while another Ursula Todd is born with a piercing wail. The rest of the book follows Ursula's unique life cycle from death to life and back again, as WWII approaches. Bonus: Atkinson's novel is packed with literary references that serious literary types will appreciate.

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A finalist for the 2011 Man Booker Prize. Edugyan's historical fiction story spans WWII Paris and 1952 Berlin, but the vivid depiction of salons, cafés, and jazz clubs lands this novel on the Paris list. The Hot Time Swingers are about to make it big when the Nazis forbid them to play. Hieronymus Falk, their star trumpet player, is arrested and never heard from again. Falk was Black, a German citizen, and considered a musical genius at the age of 20. Years later, Falk's band members take a journey from Berlin to Paris, revealing the intricacies of the events leading up to Falk's arrest.

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In 1948, the Empire Windrush arrived in Essex, London, carrying 492 Jamaican immigrants who were recruited by the British government to help rebuild the economy after WWII. In her debut novel, Louise Hare tells a fictional story about young love, prejudice, and home. Recent immigrant Lawrie Matthews works as a postman by day and a jazz musician by night. In between, he makes time to woo the girl next door. When Lawrie discovers something terrible on his way to work one day, he becomes the number one suspect, despite all evidence to the contrary. The community turns against him in a show of xenophobia and racism; his hopes seem all but dashed. His friends want to help but fear getting wrapped up in danger themselves, leaving it up to Lawrie's love interest to step in. Hare writes a mystery wrapped in a romance, with vibrant historical detail.

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From Jessica Howard: "I like to say that Georgette Heyer is like Jane Austen, but funnier. She wrote more than sixty books in a variety of genres, but my favorite are her Regency romances. They’re clever, wordy, vivid depictions of 19th century life in the British upper class. Frederica is one of Heyer’s best heroines - resourceful, funny, and intelligent. And the way she and her cast of hilariously demanding younger siblings take down the bored Marquis of Alverstoke? Priceless. Watching him transform from a top-lofty dilettante into someone who cares deeply about Frederica and her family is irresistible."

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From the publisher: "A rare and dazzling portrait of Jacqueline Bouvier’s college year abroad in postwar Paris, and the coming-of-age of an American icon – before the world knew her as Jackie. In September 1949 Jacqueline Bouvier arrives in postwar Paris to begin her junior year abroad. She’s twenty years old, socially poised but financially precarious, and all too aware of her mother’s expectations that she make a brilliant match. Before relenting to family pressure, she has one year to herself far away from sleepy Vassar College and the rigid social circles of New York, a year to explore and absorb the luminous beauty of the City of Light. Jacqueline is stunned to watch the rise of communism – anathema in America, but an active movement in France – never guessing she is witnessing the beginning of the political environment that will shape the rest of her life—and that of her future husband. Ann Mah brilliantly imagines the intellectual and aesthetic awakening of Jacqueline Bouvier Kennedy Onassis, and illuminates how France would prove to be her one true love, and one of the greatest influences on her life."

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Pride and Prejudice meets Downton Abbey: this is Austen's classic story, retold from the servant's perspective. You'll love it or you'll hate it. (But hey, polarizing books make for great discussion.) Book club discussion highlight: what Baker did with Mr. Wickham. (Shudder.)

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In this timely coming-of-age story, set in 1963, a nine-year-old girl runs away from her Mississippi home, finds an unlikely friend, and sets out on a road trip that will change her life. Crandall writes gently but powerfully about what family really means, and how the most unlikely people can come to mean the most of us, despite race, class, or creed.

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I devoured all the Outlander books this fall. I hate picking favorites, but this might just be my most-loved of the eight so far, if only because at page 1 I couldn’t understand how Gabaldon could possibly resume her story where book 2 ended and take it in any direction at all that made me not hate her. It works. I’m impressed.

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