Kate Morton
The Lake House

The Lake House

$12.99$2.99Audiobook: 7.49 (Audible)

In 1933, a young child disappeared without a trace. In 2003, a disgraced young detective stumbles upon the cold case and soon discovers its ties to one of England's oldest and most celebrated mystery writer (think Agatha Christie). I absolutely loved reading a mystery novel about a mystery novelist: the pages are filled with fascinating references to the fictional author's writing process and working life.

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The Secret Keeper

The Secret Keeper

$26.955.95 (Audible Deal)

Any Morton novel would make a great summer read, but The Secret Keeper is her finest. When she was 16, Laurel witnessed a violent crime involving her mother, Dorothy. The family hushed it up, and Laurel hasn't spoken of it since. Now, fifty years later, Dorothy is dying, and Laurel is determined to unravel the secret while there's still time. As Laurel pursues her clues, the story flips back and forth in time between today and the years before and during World War II, including the London Blitz, which Morton recreates so vividly you can almost hear the bombs dropping. Filled with twists and turns that will keep you guessing to the end.

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The Distant Hours

The Distant Hours

This Gothic mystery is slow to build but those who persevere will be rewarded. The plot flips back and forth between World War II and the 1990s, but not in the way you'd expect. The setting is a crumbling old castle, which contributes to the story's creepy (but not quite scary) feel. Some readers think this is Morton's best work.

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The Forgotten Garden

The Forgotten Garden

If the Brothers Grimm wrote The Secret Garden, this is what it would have been like. This sprawling family saga gets a little unwieldy at times, but I can't say I minded much. History, fairy tale, family drama, and Gothic mystery rolled into one.

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The Clockmaker’s Daughter

The Clockmaker’s Daughter

Set at an eerily charming home in the Oxfordshire countryside, the story follows two timelines, 150 years apart, linked by a priceless jewel—and one remarkable woman. I found this strikingly different from Morton's previous work, and would especially like to discuss the narrative voice, please.

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