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Gothic novels

It's a classic for a reason, and Simon Prebble is fantastic. If you're unsure about dipping your toes into this classic, his narration will make it go down easy.
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From the publisher: "Tananarive Due, a winner of the American Book Award and an Essence and Los Angeles Times bestselling author, brings you her debut short fiction collection! The title novella, Ghost Summer, won a Kindred Award from the Carl Brandon Society (originally published in The Ancestors). This collection includes Patient Zero, The Lake, The Knowing, Herd Immunity, and many other stories."
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This isn't an easy book to read (and if you struggle through the first half, you're not alone), but persevering readers will be rewarded with one of the most important and beautifully written multicultural historical novels in the American canon. Sethe escaped slavery and fled to Ohio, but her memories stay with her, as does the ghost of her baby. Though she attempts to bury her past, Sethe is thwarted at every turn—most of all when a young woman shows up at her door, bearing the same name as the ghost baby's headstone: Beloved. I can't improve on the publisher's description, which says Beloved is "filled with bitter poetry and suspense as taut as a rope." If you're interested in adding an iconic southern gothic novel to your TBR, look no further.
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From the publisher: "A gorgeous novel set in England between World War I and World war II. Perfect for fans of Downton Abbey, it is the story of an aristocratic family, a house, a mysterious death and a way of life that vanished forever. Grace Bradley went to work at Riverton House as a servant when she was just a girl, before the First World War. For years her life was inextricably tied up with the Hartford family, most particularly the two daughters, Hannah and Emmeline. In the summer of 1924, at a glittering society party held at the house, a young poet shot himself. The only witnesses were Hannah and Emmeline and only they—and Grace—know the truth. Told in flashback, this is the story of Grace's youth during the last days of Edwardian aristocratic privilege shattered by war, of the vibrant twenties and the changes she witnessed as an entire way of life vanished forever. The novel is full of secrets—some revealed, others hidden forever, reminiscent of the romantic suspense of Daphne du Maurier."
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From the publisher: "Mary Shelley's timeless gothic novel, an epic battle between man and monster at its greatest literary pitch. In trying to create life, the young student Victor Frankenstein unleashes forces beyond his control, setting into motion a long and tragic chain of events that brings Victor to the very brink of madness. How he tries to destroy his creation, as it destroys everything Victor loves, is a powerful story of love, friendship, scientific hubris, and horror." (Take note: Audible exclusive is read by Dan Stevens.)
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This gothic whodunit was blurbed by both Louise Penny and Charlie Lovett. Part procedural, part murder mystery, part campus novel set at a British school. From the publisher: "Clare Cassidy is no stranger to murder. A high school teacher specializing in the Gothic writer R. M. Holland, she even teaches a course on him. But when one of Clare’s colleagues is found dead, with a line from Holland’s iconic story 'The Stranger' left by her body, Clare is horrified to see her life collide with her favorite literature. The police suspect the killer is someone Clare knows. Unsure whom to trust, she turns to her diary, the only outlet for her suspicions and fears. Then one day she notices something odd. Writing that isn't hers, left on the page of an old diary: Hallo Clare. You don’t know me. Clare becomes more certain than ever: 'The Stranger' has come to terrifying life. But can the ending be rewritten in time?"
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This 2006 mystery, set firmly in the tradition of Gothic greats like Jane Eyre, kept me guessing from start to finish. The premise is intriguing (and you may find yourself a little bit envious of the narrator's bookish existence). A little dark and deliciously creepy, perfect for curling up with on a cold winter's day. Take note: a few unsettling scenes if you're a sensitive sort. (I am.)
This is the moving story of three generations of a struggling Mississippi family, set in the present day. Ward's evocative prose imbues even the family's most painful moments with tenderness and beauty. Previous National Book Award winner Ward has already received a slew of nominations and awards for her latest novel, among them the Bailey’s Prize longlist, PEN/Faulkner Award for Fiction finalist, LA Times Award for Fiction honoree, and Aspen Words longlist.
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This 1930s Gothic classic is an un-put-down-able, curl-up-by-the-fire mystery. Don't be put off by its age: this thrilling novel feels surprisingly current. Suspenseful but not scary, and it holds its tension on a re-reading: a sure sign of a well-crafted thriller.
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Young widow Alva has two priorities: restoring a dilapidated Hyde Park mansion so she can write her interior design book and moving past the death of her abusive husband. Only one problem: the house is haunted and the workers refuse to come near the house. Enter scientist and ghost hunter Sam. Alva can’t afford any complications in her life, nor does she want to risk her heart. But Sam wants nothing more than to prove she deserves her very own happily ever after. As soon as he figures out how to get rid of the ghost, that is. An enjoyable, humorous historical romance set during the Gilded Age.
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This groundbreaking classic is a gothic romance, mystery, and psychological thriller all rolled into one; its themes were astonishingly modern for 1847. If you never read it in high school, give it a try now. You’ll be kicking yourself for not reading it decades sooner. Those who have read it will spot its influence everywhere. We follow Jane Eyre from childhood to adulthood as she learns to speak up for herself and makes bold choices.
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I heard great things about this book, though the "Gothic horror" label made me a little afraid to dive in, as I stay away from the scary stuff. But I needn't have feared: this novel is deliciously creepy, but not frightening. Moreno-Garcia situates her novel firmly in the tradition of Gothic country house classics like Wuthering Heights and Rebecca, and even references some of these titles in her novel. When Noemí's father appoints her to see to some business on his behalf, the beautiful, intelligent young socialite agrees to do her duty for the family. Her recently married cousin Catalina has sent an odd, urgent letter to the family, pleading for someone to save her—but from what? When Noemí visits her new marital home High Place, a remote and lavish estate built by ill-treated mine workers, she discovers her cousin's predicament is worse than she feared: her husband is a brute, her father-in-law a terror, the staff deeply hostile, and even the house itself seems set against her—and worse, determined to entrap her. No spoilers here, but if you like the sound of a deeply strange and spine-tingling read about a smart heroine who saves herself, this is the book for you. Excellent on audio.
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This groundbreaking classic was downright scandalous in its day—and it hasn’t lost much of its shock value in the intervening 160+ years. Heathcliff is every bit as much the abominable scoundrel now as he was then, and the English moors are every bit as creepy. Read it once, and decide whether you love it or hate it. (And if you do both, you’re in good company.)
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Mel Joulwan convinced me to read this super-short French novel when she described it as a "naughty fairy tale" in WSIRN Episode 219, called "Required reading revisited." This novel was published in France in 1992 but not translated into English until 2018. In this lush story with Gothic vibes, three mysterious sisters dwell in an isolated mansion behind a golden gate, ever-watchful that an unsuspecting man will stumble upon the garden path, that they may first bewitch and then devour him. Smart, magical, playful—and also A LOT darker than I expected; "naughty" doesn't begin to cover it. (Content warnings for sexual assault and other sexual content.)
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The story begins with a murder, and the lonely, introspective narrator devotes the rest of the novel to telling the reader about his role in it, and how he seemingly got away with it. The setting is a small Vermont college, the characters members of an isolated, eccentric circle of classics majors, who murder one of their own. Strongly reminiscent of The Likeness in setting, Crime and Punishment in plot, and Brideshead Revisited in tone. I finally read this recently, and now I understand why opinions differ widely on Tartt's debut novel: it's a compelling—and chilling—tale, but there's not a single likable character.
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Readers, this book has been sitting on my TBR shelf for forever. If you've read it and loved it, I could use a push to pick it up. Bridie Devine, infamous female detective and supernatural consultant, gets called to work on her most intriguing case yet. Christabel Berwick, secret daughter of Sir Edmund Athelstan Berwick, possesses mysterious powers that have collectors and curiosity hunters circling. Bridie comes in to figure out who kidnapped Christabel, while grappling with her own complicated childhood experiences. Full of lush descriptions of Victorian London and a heaping dose of Gothic mystery, this ghostly novel makes for an interesting genre mash-up.
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I read this as my "book you can finish in a day" for the 2016 Reading Challenge. As expected, it's not exactly scary, but Jackson is sure good at infusing a story with a creepy atmosphere. In this work, her last completed novel before her death, she tells the story of the Blackwood family. Not so long ago there were seven Blackwoods, but four of them dropped dead from arsenic poisoning several years ago and how that happened remains a mystery. Read this during daylight hours: its themes of family secrets, hateful neighbors, and mysterious deaths aren't the stuff of bedtime reading.
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This is on my TBR, and comes highly recommended by MMD editor Leigh Kramer. She inhaled the last 400 pages of this Dickensian literary mystery and had to know what would happen next. The relationship between gentry and servant can be fraught—and even more so when one is running a con on the other. Maud and Susan are complex characters that beg a reaction (and a book club discussion), particularly when they do disagreeable things. With striking twists and turns, their relationship runs the full gamut of emotions, particularly because literary fiction is not known for giving queer characters a Happily Ever After.
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With a compelling narrator, absorbing atmosphere, and loads of literary references, this modern gothic novel is a stunner. While attending her cousin’s wedding in the gardens of Byrne Hall, a drunken Freya can’t resist stumbling into the off-limits house to investigate. When she ducks inside she discovers a startling portrait on display: it looks just like her sister Stella, who, years before, died mere miles from the historic seaside grounds. Once safely home in London, Freya can’t get the house—or its portrait—out of her head. When she returns to investigate, she gets tangled up with the residing family and their eerie house—and the consequences could be disastrous. Read this if you love a brooding character study or a slower-paced mystery with a strong sense of place. (Content warnings include suicide and abuse.)
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Part coming-of-age classic, part parody, and part social critique, this 1818 novel remains one of Jane Austen’s lesser-read (and underrated) works. Inspired by popular gothic novels Austen read as a girl, this satirical story blends over-the-top drama and Austen’s sharp wit to great effect. The heroine, Catherine Morland, is a 17-year-old girl with an active imagination and a fondness for sensationalist literature. While visiting Bath with her friends, she falls in love with Henry Tilney, an upper class gentleman beyond her reach as a romantic match. Tilney rolls his eyes at Catherine's vivid imaginings as she allows herself to be swept up in gothic fantasies of her own making. Whether you aspire to be an Austen completist or simply love any novel featuring a sprawling gothic estate, this is a novel worth reading. Juliet Stevenson is a fan favorite narrator for all of Austen’s works, of course, but I like Emma Naomi’s youthful voice for this story as well.
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From the publisher: "A best-seller in its day and a potent influence on Sade, Poe, and other purveyors of eighteenth and nineteenth-century Gothic horror, The Mysteries of Udolpho remains one of the most important works in the history of European fiction. After Emily St. Aubuert is imprisoned by her evil guardian, Count Montoni, in his gloomy medieval fortress in the Appenines, terror becomes the order of the day. With its dream-like plot and hallucinatory rendering of its characters' psychological states, The Mysteries of Udolpho is a fascinating challenge to contemporary readers."
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From Amazon.com: "If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller."
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