25 Classics That Are Not Remotely Boring

This gritty novel wrecked me when I first read it in high school: Wright's story is raw, violent, emotionally wrenching, and utterly unforgettable. Through the eyes of Bigger Thomas, a twenty-year-old Black man living in Chicago in the 1930s, we see the extreme racial inequalities his family experiences—and how they first harden, and then desensitize Bigger. This was Wright's first novel, and on its publication in 1940, it became one of the fastest-selling novels in America's history, and remains incredibly timely today.
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"Happy families are all alike; every unhappy family is unhappy in its own way," begins this classic Russian novel. Anna leaves her husband and son for Count Vronksky but their love is ultimately doomed. Tolstoy’s much-beloved tome is praised for its depiction of Russian life and nuanced portrait of humanity. Numerous translations exist; if I had to choose one, I'd go with Constance Garnett's, if only because the audiobook is narrated by Maggie Gyllenhaal, who calls this her favorite novel and said performing it was one of the greatest accomplishments of her work life. 
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From the publisher: "An Oprah Book Club selection, Cry, the Beloved Country, the most famous and important novel in South Africa’s history, was an immediate worldwide bestseller in 1948. Alan Paton’s impassioned novel about a black man’s country under white man’s law is a work of searing beauty."
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This groundbreaking classic is a gothic romance, mystery, and psychological thriller all rolled into one; its themes were astonishingly modern for 1847. If you never read it in high school, give it a try now. You’ll be kicking yourself for not reading it decades sooner. Those who have read it will spot its influence everywhere. We follow Jane Eyre from childhood to adulthood as she learns to speak up for herself and makes bold choices.
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This novel, originally published in 1932, has been banned repeatedly over the years, right up to the present time. Irony alert: the problem with banning a dystopian novel that envisions a totalitarian future world where literary content is strictly regulated is that it provides even more Brave New World discussion fodder delighted English teachers. While it's been removed from many libraries and reading lists, it still makes frequent appearances on others.
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Bradbury's slim sci-fi/fantasy novel revolves around a fireman who hates his job set in the saddest of dystopian settings: a future with no books. Firemen start the fires in Bradbury's future, to burn any and all books as they are found. One of these books is the Bible, which is what most often triggers the censorship. The book has been repeatedly banned over the years, which is ironic, given that the book itself is about book-banning. When it was published, Bradbury was outspoken about the fact that he in fact had the growing influence of television over Americans in mind when he wrote it.
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In the first of her six autobiographies, Angelou tells the haunting story of her childhood in the American South of the 1930s. Her poetic prose is incredible, and the story is by turns heartwarming ("I met and fell in love with William Shakespeare") and utterly heartbreaking. Angelou's lilting voice brings her powerful, touching story to life in the audiobook.
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In this short Australian classic, a group of girls from the Appleyard College for Young Ladies venture out for a picnic at Hanging Rock on a beautiful afternoon. Three of the girls set out for a hike, and are never seen again. As I was reading this short novel, it strongly reminded me of something I'd read before, but I couldn't figure out WHAT. I finally realized it wasn't a book at all—it was the TV show Lost! (If that's not a recommendation, I don't know what is.)
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From the publisher: "Awe and exhiliration--along with heartbreak and mordant wit--abound in Lolita, Nabokov's most famous and controversial novel, which tells the story of the aging Humbert Humbert's obsessive, devouring, and doomed passion for the nymphet Dolores Haze. Lolita is also the story of a hypercivilized European colliding with the cheerful barbarism of postwar America. Most of all, it is a meditation on love--love as outrage and hallucination, madness and transformation."
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From the publisher: "In this symphonically powerful novel, Willa Cather created one of the most winning heroines in American fiction, a woman whose robust high spirits and calm, undemonstrative strength are emblematic of the virtues Cather most admired in her country. Antonia Shimerda is the daughter of Bohemian immigrants struggling with the oceanic loneliness of life on the Nebraska prairie. Through the eyes of Jim Burden, her tutor and disappointed admirer, we follow Antonia from farm to town and through hardships both natural and human, surviving everything from poverty to a failed romance--and not only surviving, but triumphing."
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From the publisher: "Ralph Elllison's Invisible Man is a monumental novel, one that can well be called an epic of 20th-century African-American life. It is a strange story, in which many extraordinary things happen, some of them shocking and brutal, some of them pitiful and touching - yet always with elements of comedy and irony and burlesque that appear in unexpected places. After a brief prologue, the story begins with a terrifying experience from the hero's high-school days; it then moves quickly to the campus of a 'Southern Negro college' and then to New York's Harlem. The many people that the hero meets in the course of his wanderings are remarkably various, complex and significant. With them he becomes involved in an amazing series of adventures, in which he is sometimes befriended but more often deceived and betrayed - as much by himself and his own illusions as by the duplicity and the blindness of others. Invisible Man is not only a great triumph of storytelling and characterization; it is a profound and uncompromising interpretation of the anomalous position of blacks in American society."
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Amazon's review calls this "a gripping study of the problem of European colonialism in Africa. The story relates the cultural collision that occurs when Christian English missionaries arrive among the Ibos of Nigeria, bringing along their European ways of life and religion. In the novel, the Nigerian Okonkwo recognizes the cultural imperialism of the white men and tries to show his own people how their own society will fall apart if they exchange their own cultural core for that of the English."
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From the publisher: "From the Nobel Prize-winning author of One Hundred Years of Solitude comes a masterly evocation of an unrequited passion so strong that it binds two people's lives together for more than half a century. In their youth, Florentino Ariza and Fermina Daza fall passionately in love. When Fermina eventually chooses to marry a wealthy, well-born doctor, Florentino is devastated, but he is a romantic. As he rises in his business career, he whiles away the years in 622 affairs - yet he reserves his heart for Fermina. Her husband dies at last, and Florentino purposefully attends the funeral. Fifty years, nine months, and four days after he first declared his love for Fermina, he does so again. With humorous sagacity and consummate craft, Gabriel García Márquez traces an exceptional half-century of unrequited love. Though it seems never to be conveniently contained, love flows through the novel in many wonderful guises - joyful, melancholy, enriching, and ever surprising."
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A sweeping novel set in 1920s southern Florida following Janie Crawford as she experiences love and loss and comes of age. Known as Hurston's best work, this story about expectations, marriage, and surprising romance is richly atmospheric. It’s a classic for a reason, with a main character you'll never forget. In fact, echoes of Janie Crawford can be seen in contemporary literature, like Salvage the Bones by Jesmyn Ward. This is a book that numerous readers have considered to be even better on audio, as narrated by Ruby Dee, as they then can fully experience Hurston's talent for writing dialect.
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Baldwin was the son of a preacher and the grandson of an enslaved person, and his life experiences heavily inform this semi-autobiographical 1953 novel, which tells the story of one day in the life of a 14-year-old boy in Harlem in the late 1930s. The boy, John Grimes, struggles with hypocrisy in the Pentecostal church while also finding comfort in the community. Baldwin powerfully writes about John's spiritual and sexual awakening as a young, gay Black man and a person of faith.
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My then-6th grade son read this book in his English literature class. He wasn't excited about reading "that boring book." His sister said, "I'm glad I don't have to read it." One week later, they were fighting over it. That's all I have to say about that—except you don't have to be a grade schooler to enjoy this one. It's a classic for a reason.
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This is Steinbeck's most ambitious novel, and in his opinion, his finest work. ("I think everything else I have written has been, in a sense, practice for this.") My high school English teacher assigned us The Grapes of Wrath instead, so I didn't read this until a few years ago. The title references the fall of Adam and Eve, and the subsequent embattled relationship between brothers Cain and Abel. Grounded thoroughly in its California setting, interweaving the stories of two Salinas Valley families, Steinbeck's magnum opus feels tragic, yet hopeful.
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From the publisher: "Mary Shelley's timeless gothic novel, an epic battle between man and monster at its greatest literary pitch. In trying to create life, the young student Victor Frankenstein unleashes forces beyond his control, setting into motion a long and tragic chain of events that brings Victor to the very brink of madness. How he tries to destroy his creation, as it destroys everything Victor loves, is a powerful story of love, friendship, scientific hubris, and horror." (Take note: Audible exclusive is read by Dan Stevens.)
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This 1930s Gothic classic is an un-put-down-able, curl-up-by-the-fire mystery. Don't be put off by its age: this thrilling novel feels surprisingly current. Suspenseful but not scary, and it holds its tension on a re-reading: a sure sign of a well-crafted thriller.
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This classic is set in the Gilded Age among New York City's high society, and depicts the rise and fall of Lily Bart, a young woman trapped by social conventions, a victim both of society and of her own choices. This feels like social commentary and reads like a tragedy, and while I feared it would be boring it was anything but.
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An incredible modern classic. From The Nation: “The Color Purple is about the struggle between redemption and revenge. And the chief agency of redemption, Walker is saying, is the strength of the relationships between women: their friendships, their love, their shared expression."
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