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8 novels that are delightfully self-aware about the writing process

This dystopian novel is set in the not-too-distant future, when print is dead and and much of the population relies on implantable devices called "memes" to consume information and communicate with each other. That sounds unsettling enough, but things get really scary when a virulent "word flu" is unleashed upon the population: the infected lose their ability to produce or understand speech. Much of this book is written in the form of diary entries that the characters write in their efforts to first fight off, and then recover from, the linguistic illness. A fun ride from start to finish.
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A young writer turns her life around in this 2020 novel from the author of Euphoria. Casey Peabody’s life is a catastrophe: she’s grieving her mother, buried in debt, floundering in her love life, and fed up with waiting tables while she labors to finish the novel she’s been working on for six years. But then slowly, slowly, she starts to pull it together. This novel has it all, while never feeling weighed down: a story of growing up, finding love, grieving loss, and a tribute to the writing life. This book was slow to hook me, but once I was in, I was IN. It also has one of the most exuberant, satisfying endings I've read in ages. 
This 2006 mystery, set firmly in the tradition of Gothic greats like Jane Eyre, kept me guessing from start to finish. The premise is intriguing (and you may find yourself a little bit envious of the narrator's bookish existence). A little dark and deliciously creepy, perfect for curling up with on a cold winter's day. Take note: a few unsettling scenes if you're a sensitive sort. (I am.)
In 1933, a young child disappeared without a trace. In 2003, a disgraced young detective stumbles upon the cold case and soon discovers its ties to one of England's oldest and most celebrated mystery writer (think Agatha Christie). I absolutely loved reading a mystery novel about a mystery novelist: the pages are filled with fascinating references to the fictional author's writing process and working life.
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Eugenia “Skeeter” Phelan graduates from Old Miss in the 1960s and returns home to Jackson, looking for a topic to write about. She decides to tell the story of the Help. Skeeter was raised by a kindly black maid, as were many of her friends. Now they’re having babies and hiring black maids of their own. Skeeter interviews the maids of Jackson to find out what it’s really like to be a black woman who leaves her own babies at home so she can earn a living raising white women’s babies.
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I have recommended this one in Books You'll Just Have to Talk To Someone About, What Makes a Great Book Club Novel, and other places. I picked this one up when Michael Pollan raved about it, saying it “embodied the spirit of slow food and life.” Paterniti had me from the words Zingerman’s Delicatessen. The story artfully weaves itself right into the heart of Catelonian Spain, but then it becomes muddled and confused. The reader can decide if this is weakness, or metaphor. Book club highlight: the ending. Is it altogether unsatisfying, or completely perfect?
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Nantucket novelist Madeline King is on deadline but has a huge case of writer's block: she needs a story for her next novel, and she needs it fast. Then her best friend Grace starts crushing on her handsome landscape architect. Madeline knows a good story when she sees it, and her novel practically writes itself. I loved Hilderbrand's comments about this novel at BEA: she said that because she was intimately familiar with writer's block, she had no trouble at all writing this novel. Writers will note that all the publishing industry details are spot-on. My favorite Hilderbrand so far.
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I nearly included this in the Summer Reading Guide but decided maybe not too many of you would be interested in a 672 page book published in 1971. But this book is pretty incredible in structure. A sweeping novel, a commentary on marriage–why it works, why it fails. It’s a Pulitzer winner, but its dream sequence ending feels like a copout.

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