I've been meaning to read this modern adventure classic for years, largely because I'm obsessed with Into Thin Air. I expected the two books to be similar but—aside from the fact that they both deal with life and death in the icy mountains—the books didn't feel at all the same. Krakauer's is reflective and journalistic; in Touching the Void, Simpson and his climbing partner alternately tell the tale of their disastrous ascent of a remote peak in the Peruvian Andes.

This story of a young girl growing up in a rural community during a time when the community itself is facing a tremendous change. This was wise, reflective, and easy to read, and strongly reminiscent of Barbara Kingsolver's Flight Behavior.

I'm not sure the concept of this book would have made sense to me in my early twenties, but nearly 15 years later, I understand what it means to be "out of sorts"—it's that disoriented feeling that comes with personal growth and change. In a spiritual sense, it's that time when you're having to figure out everything you thought you once knew "for sure" all over again. Those who feel that they're still sorting through their faith, or sorting through it again, will relate to Bessey's personal journey. My favorite line: "If our faith doesn’t change and evolve as we go through our lives, then we simply aren’t paying attention."

I had heard good things about this one from a few readers I trust (which surprised me, given the book's solid 3-star rating on Amazon) but was hesitant to invest 944 pages of my reading life in it. But then I interviewed Seth Haines for What Should I Read Next? and he convinced me to give it a try. The novel revolves around a punk-rock band, a wealthy, dysfunctional NYC family, a pyrotechnics expert and his daughter, and the invisible threads that bind them all together in 1976 Manhattan. If you're deciding if this one's for you, you should know that it's being compared to Wallace, Wolfe, Franzen, and DeLillo, and is full of sex, drugs, and rock and roll.

I keep hearing this new debut novel mentioned in the same breath as "best of the year" and now I understand why. For the first hundred pages I didn't quite grasp what the author was up to, but when it hit me it was powerful. By exploring the stories of two sisters, who met different fates in Ghana more than 200 years ago, Gyasi traces subtle lines of cause and effect through the centuries, illuminating how the deeds of ages past still haunt all of us today. A brilliant concept, beautifully executed. Read it.

Public shaming used to be a common punishment, but it was stopped long ago: not because it was ineffective, but because it was deemed far too cruel. But with the dawn of social media, public shaming is back in a big way, and it's being carried out by ordinary people. Ronson walks the reader through some recent examples of lives ruined over one public mistake: a fabricated quote in a book, one ill-considered tweet, one Facebook photo that went viral. This is one of the scariest books I've read in a long time, and I'm not saying that lightly. An important but uncomfortable read for anyone on social media, and that's most of us.

This topic won't be new to readers of Crystal's popular blog Money Saving Mom, but much of the content is. Crystal calls this a hands-on manual to help you discover your passions and talents and turn those into a profitable business. I most appreciated the behind-the-scenes looks at Crystal's own business: what's made her successful, and what mistakes she's made along the way.

When I got together with a bunch of writers recently we all talked about how much we loved Susan Meissner. Her most recent novel, published November 2015, begins in modern-day times when a distinctive green velvet hat is mistakenly dropped off for resale at a vintage clothing shop. The hat is instantly recognizable as one that Scarlett O'Hara wore in Gone with the Wind; it disappeared during filming and hasn't been seen since. Of course the hat has a long, strange history, and Meissner takes us back in time to 1938 Hollywood, where two young friends are trying to make it in Tinseltown, each in their own way. This isn't my favorite Meissner novel, but it's a solid one, and Gone with the Wind fans won't want to miss it.

High praise: I owe the library a week's worth fines because I took this to the beach despite the fact that it was due while I was 600 miles away and it was totally worth it. It deserves its own blog post: I'll figure out a way to dive a little deeper into the concepts here soon. I appreciated the concepts in Cal Newport's previous book So Good They Can't Ignore You; in this one he shares excellent ideas while seriously upping his writing game. This is an excellent read for anyone who wants to thoughtfully examine their priorities, their working habits, or their relationship with social media.

Ann Patchett called this the best book she read in 2014, a fabulous book club pick, and a moving true story. That's enough for me. When Chile's San Jose mine collapsed in August 2010, thirty-three miners were trapped beneath thousands of feet of rock for 69 days—longer than anyone thought they could survive. While they were still trapped in the mine, the men agreed that if they told their story, they would only do it together. On their release, they entrusted Pulitzer Prize-winning author Tobar with its telling.

This is such a fun read for anyone who has a soft spot in their heart for a solid YA novel, and it's a must-read if you loved the movie Notting Hill. When a teenage Hollywood star mistypes an email address, his message ends up in the inbox of a small-town teenage girl in Maine. The two strike up a witty correspondence, even though (or really, because) she doesn't know who he is. When his latest film is shot on location in her town, the relationship moves from online to real life. But the paparazzi make his life miserable, and the girl has secrets of her own.

I loved Adam's previous book Introverts in the Church, so I've been looking forward to this for a long time. I very much enjoyed (and at times felt painfully convicted by) this book, which explores: what listening really is (it's probably not what you think), why it's worth doing, and why it's so terribly important in a culture that never stops talking. Relatable and wise.

In short, story-driven chapters, Rob Bell explores presence, mindfulness, and creativity in his newest release (published March 8). Regular listeners of his podcast The Robcast will find many of the concepts familiar. I enjoyed this one, and especially appreciated his insistence that you don't need a fifty-year plan to begin something, you just need to do the next right thing. This would make an excellent companion to Elizabeth Gilbert's Big Magic.

This twisty thriller was an August Book of the Month pick for me. I was intrigued by the premise: a travel writer takes an assignment aboard an exclusive luxury cruise ship. Shortly after arriving, she wakes in the middle of the night to the sound of something heavy being thrown overboard. She's sure it's a body ... and yet no one is missing from the boat. She's compelled to figure out what really happened, which puts more than her own life in danger. Strongly reminiscent of Agatha Christie's And Then There Were None.

Hurray for Sarah Addison Allen--a great summer reading author! This isn't my favorite title of hers, but it's still Sarah Addison Allen. This novel is set at a quirky Southern resort, and Allen's trademark magic is woven through the lake, the town, and the people. It's essentially a story about finding home.

This was one of my favorite nonfiction books of the year. A new release shouldn't be priced this low, so snatch it up while it lasts.

This psychological thriller was good enough to make the Summer Reading Guide, but I ran out of room! A British single mother gives her 8-year-old son permission to run ahead a little on their evening walk in the park ... and he disappears, without a trace. MacMillan invites the reader to come along on the hunt for the boy, alternately focusing on police procedure and family drama. The tight writing and sharp execution made this hard to put down. I've seen a lot of comparisons to The Girl on the Train, but instead I'd recommend this one for Tana French fans.

From the publisher: "Cora is a slave on a cotton plantation in Georgia. Life is hell for all the slaves, but especially bad for Cora; an outcast even among her fellow Africans, she is coming into womanhood-where even greater pain awaits. When Caesar, a recent arrival from Virginia, tells her about the Underground Railroad, they decide to take a terrifying risk and escape. Matters do not go as planned-Cora kills a young white boy who tries to capture her. Though they manage to find a station and head north, they are being hunted."

Booklist says "Vive le Paris apartment!"

I'm so glad I took Katie Gibson's advice and dug into this collection. In this eclectic collection he covers writing, farming, city life, puppy love, and politics, and more. My favorite essays are "Here Is New York" and "Will Strunk." The first needs no explanation; the second pays tribute to the author of The Elements of Style.

Stewart is best known for her science writing: she's written six nonfiction books with unusual takes on the natural world. (See: The Drunken Botanist.) This book is a departure for her, and a successful one: readers buzzed about it all fall and it hit many best-of-2015 round-ups. This novel is based on the true story of Constance Kopp, one of the first female sheriffs in America. I tend to shy away from biographical fiction because the narrators often ring false to me, but I loved the way Stewart brought her leading lady's story to life.

If you've heard this little book described as a modern-day fairy tale, remember this: those traditional non-Disney fairy tales are often very sad. Mrs Brown is a staid, respectable woman: she's not prone to excess, she's not the sort to have a bucket list, she has the non-glamorous job of cleaning a beauty parlor. But the few who see past her plain exterior adore her. When a local great lady dies, Mrs. Brown is hired to help inventory her things before the estate sale, and it's there she encounters The Dress. It's a very specific Oscar de la Renta dress, in a very specific color, and Mrs. Brown immediately turns her life upside down so she can save the money to buy one. Mrs. Brown's dress isn't just a dress to her, and we don't find out why she needs it until the very end of the novel. I wasn't sure what to make of this one when I read it, but as my thoughts have circled back to it over the past couple of months I've found it increasingly satisfying.

The Washington Post called this, "Deep and grand and altogether extraordinary....Miraculous."