A Place for Us

This slow-burning debut about an Indian-American Muslim family skillfully probes themes of identity, culture, family, and generational change. "I am to see to it that I do not lose you," reads the epigraph (Whitman), and the story wonders if, despite our best intentions, one might nevertheless wound someone they love deeply enough to lose them forever. The story opens with the oldest daughter’s wedding: the bride scans the crowd for her beloved yet rebellious brother, hoping he'll appear despite being estranged from the family for years. Through a series of flashbacks, and in rotating points of view, Mirza examines the series of small betrayals that splintered the family, skillfully imbuing quotidian events—a chance meeting at a party, a dinner conversation about a spelling test—with deep significance, showing how despite their smallness, they irrevocably alter the course of the family’s life. The last section is a stunner, but grab the tissues first. For fans of Khaled Hosseini’s And the Mountains Echoed and Michelle Zauner’s Crying in H Mart.