Quick Lit September 2022

I didn't think Sally Rooney was for me. But because I recorded a What Should I Read Next episode with a guest who called Rooney her favorite author, I sampled this one—and then I didn't want to stop reading! I was captivated by Rooney's skill at portraying the quietly devastating interactions between Connell and Marianne, Irish teenagers who begin an on-again, off-again relationship (though they wouldn't call it that) in high school and whose paths continue to cross when they move on to university in Dublin. Her unusual style suits the story, and the acuity with which she probes friendship, trauma, and mental health is striking.
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Dave Grohl says: "So, I've written a book. Having entertained the idea for years, and even offered a few questionable opportunities ('It's a piece of cake! Just do 4 hours of interviews, find someone else to write it, put your face on the cover, and voila!') I have decided to write these stories just as I have always done, in my own hand. The joy that I have felt from chronicling these tales is not unlike listening back to a song that I've recorded and can't wait to share with the world, or reading a primitive journal entry from a stained notebook, or even hearing my voice bounce between the Kiss posters on my wall as a child. This certainly doesn't mean that I'm quitting my day job, but it does give me a place to shed a little light on what it's like to be a kid from Springfield, Virginia, walking through life while living out the crazy dreams I had as young musician. From hitting the road with Scream at 18 years old, to my time in Nirvana and the Foo Fighters, jamming with Iggy Pop or playing at the Academy Awards or dancing with AC/DC and the Preservation Hall Jazz Band, drumming for Tom Petty or meeting Sir Paul McCartney at Royal Albert Hall, bedtime stories with Joan Jett or a chance meeting with Little Richard, to flying halfway around the world for one epic night with my daughters…the list goes on. I look forward to focusing the lens through which I see these memories a little sharper for you with much excitement."
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I've heard good things about this one since it came out in spring 2021, but didn't feel the urge to pick it up until several Modern Mrs Darcy Book Club members cited it as a favorite "feel-good" novel in a recent discussion. (Funny thing: last year I had this book in my house when it released in the spring but I gave it away to clear space—but that was easily fixed as my library had several copies and short waitlists.) This 1970s coming of age story features 14-year-old Mary Jane, a sheltered girl from a respectable Baltimore family whose life changes the summer she nannies for a local doctor ... whose best client is about to become a live-in rock star in rehab. Mary Jane can't tell a soul what she sees in that house: the rock star's presence is a tightly-kept secret, plus her prim parents would make her quit if they grasped just how much their family sensibilities differ from those of her employers. She's left on her own to process her introduction to the baffling adult world of sex, drugs, friendship, and rivalry, as well as her burgeoning friendship with the rock star's wife, an actress she's long admired. I appreciated the strong setting and found myself googling numerous Baltimore landmarks, and Blau's light touch with heavy topics lent the book an easy-reading and entertaining, if not wholly memorable, quality.
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"All smooth flights are alike. every turbulent flight is turbulent in its own way." A 2020 international bestseller, this lockdown publishing phenomenon in France, translated by Adriana Hunter, is WILD. The author himself calls it "experimental, bizarre, and a little crazy." To American readers, the premise sounds like something out of Blake Crouch: on March 10, 2021, Air France Flight 006 passes through a storm so terrible as to have no precedent and subsequently safely lands in New York, the shaken passengers disembarking on the runway. 106 days later, Air France Flight 006 endures a terrifying storm and subsequently lands safely in New York—and no one knows what to do, because this plane, these people, have already landed. Le Tellier employs this plotty premise to embark on a deeply philosophical examination of what it means to be human, as he portrays a half-dozen individuals wrestling with the unfathomable reality they now face, and—in cheekier passages—shows governmental authorities scramble to explain the unexplainable to their citizens. Amidst global uproar, the spotlight inevitably turns to the author of a recent work called The Anomaly, whose previously obscure work is believed to hold a key to understanding what went wrong with the two flights, and what that may reveal about the human condition—if there is such a thing. I couldn't put this down.
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After loving the works of Maylis de Kerangal in 2021, I've been interested in exploring more French literature, and I've had Perrin in my sights because she's published by Europa, a publisher I love for translated works. (Hildegarde Serle translates this one.) When Fabled book buyer gave me a nudge to read this, I was only too eager to jump in! I was hooked by her English language debut from the lyrical and utterly surprising opening passage, in which narrator Violette grounds us in her work as a cemetery caretaker. She sees her setting not as a sinister place but as a garden of souls where she gently tends the dead and those who come to pay them tribute. The achingly sad and touching story unspools over more than twenty years, yet always felt immediate, even urgent, mixing love and betrayal, drama and resilience, friendship and loss, drama and resilience, even poetry to great effect. I listened on audio, which was a little tricky in places because the narrative jumps through time, but I still loved experiencing the story in that format. I'm eager to read more of Perrin's works and already downloaded her new release Three to begin next.
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This dystopian novel with echoes of The Dog Stars and The Road is set in the not-too-distant future, where fires have ravaged the globe and religious extremists have seized control of governments. Lark, a teenage refugee, fled Maine with his family hoping to find sanctuary in Ireland, the last country rumored to be accepting refugees—only to discover upon arrival that the borders have closed and his perilous journey has only just begun. Dejected, starving, and alone, he sets out for Glendalough, the "thin place" his mother told him about before she died. Along the way he befriends Seamus, a trustworthy beagle who somehow managed to survive even after dogs were eradicated, and encounters others who wish to both help and harm him. This is a departure for House; those who have enjoyed his past work may especially appreciate the wistful prose and LGBTQ love story.
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The early pages of this swoony romance with serious depth are set at a literary festival, where bestselling writers Eva (bombshell of the fantasy romance genre) and Shane (darling of the literary fiction world) are reunited after nearly twenty years apart, in front of an audience of delighted readers. Nobody knows the two have met before, or that they were high school soulmates before they were wrenched apart due to circumstances neither fully understands. This was a lot of fun and also insightful about the complexities of romantic and family relationships, with a summer-in-NYC setting I particularly enjoyed. A couple of content notes: this is open door and includes addiction and self-harm, as Williams shows her characters working through trauma in order to find both healing and their way to each other.
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