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Quick Lit February 2022

In Alexander's words: "The story seems to begin with catastrophe but in fact began earlier and is not a tragedy but rather a love story." The author's husband died just four days after his fiftieth birthday. A few years later, Alexander looks back on their life together, their love, and the impact of that loss in her life. The author is a poetry professor at Yale, which is obvious in the story's richness and language. Her source material is fantastic: Alexander is an American, born in Harlem. Her husband was born in Eritrea, in East Africa, and came to New Haven as a refugee from war. Both were artists—that’s his painting on the cover of the book—and their home sounds like this amazing, vibrant, multicultural extravaganza with food and friends and music and art. I could barely put this down, and while sad, it exudes joy. Heads up for audiophiles: Alexander's narration of her own work is magnificent. Published April 15 2015.
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From the publisher: "One of the most successful and acclaimed novels of our time, this fictionalized autobiography of Daisy Goodwill Flett is a subtle but affecting portrait of an everywoman reflecting on an unconventional life. What transforms this seemingly ordinary tale is the richness of Daisy's vividly described inner life--from her earliest memories of her adoptive mother to her awareness of impending death."
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Set in the 1960s, the publisher aptly compares this novel to 84, Charing Cross Road. When L.A.-based Joan writes a fan letter to Camano Island, WA columnist Imogen to thank her for her column in a Pacific Northwest-based magazine, enclosing a packet of saffron and a recipe, a lasting friendship is born. The women become pen-friends, exchanging letters that move from the topic of food to books (so many books!) to the troubles (and occasional triumphs) of their personal lives. This just may be the gentle, feel-good novel you're looking for.
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From the publisher: "I would like to say a few things about my first husband, William. Lucy Barton is a writer, but her ex-husband, William, remains a hard man to read. William, she confesses, has always been a mystery to me. Another mystery is why the two have remained connected after all these years. They just are. So Lucy is both surprised and not surprised when William asks her to join him on a trip to investigate a recently uncovered family secret—one of those secrets that rearrange everything we think we know about the people closest to us. There are fears and insecurities, simple joys and acts of tenderness, and revelations about affairs and other spouses, parents and their children. On every page of this exquisite novel we learn more about the quiet forces that hold us together—even after we’ve grown apart."
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From the publisher: "A captivating, bighearted, richly tapestried story of people brought together by love, war, art, flood, and the ghost of E. M. Forster. Tuscany, 1944: As Allied troops advance and bombs fall around deserted villages, a young English soldier, Ulysses Temper, finds himself in the wine cellar of a deserted villa. There, he has a chance encounter with Evelyn Skinner, a middle-aged art historian who has come to Italy to salvage paintings from the ruins and recall long-forgotten memories of her own youth. In each other, Ulysses and Evelyn find a kindred spirit amidst the rubble of war-torn Italy, and set off on a course of events that will shape Ulysses's life for the next four decades."
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From the publisher: "When we first met, I was a child, and she had been dead for centuries. Moving fluidly between past and present, quest and elegy, poetry and those who make it, A Ghost in the Throat is a shapeshifting book: a record of literary obsession; a narrative about the erasure of a people, of a language, of women; a meditation on motherhood and on translation; and an unforgettable story about finding your voice by freeing another's. On discovering her murdered husband’s body, an eighteenth-century Irish noblewoman drinks handfuls of his blood and composes an extraordinary lament. Eibhlín Dubh Ní Chonaill’s poem travels through the centuries, finding its way to a new mother who has narrowly avoided her own fatal tragedy. When she realizes that the literature dedicated to the poem reduces Eibhlín Dubh’s life to flimsy sketches, she wants more: the details of the poet’s girlhood and old age; her unique rages, joys, sorrows, and desires; the shape of her days and site of her final place of rest. What follows is an adventure in which Doireann Ní Ghríofa sets out to discover Eibhlín Dubh’s erased life—and in doing so, discovers her own."

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