Favorite audiobooks of 2022

This is the decades-long story of a wealthy Brooklyn family and their triplets—the smart one, the weird one, and the girl—conceived with the help of IVF. For a bevy of reasons this family never quite gelled, and the siblings carry not a trace of affection for each other. Everything changes when the triplets reach college age, and their mother, yearning for some semblance of familial love, decides to thaw the fourth and only remaining embryo and have another child. The arrival of that child—the latecomer—blows up the whole family. An unexpected bonus was the thread of modern art that runs through the book: I googled so many artists and works along the way. Whispersync narration available.
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I opted to listen after a wide variety of readers with wildly disparate tastes all gushed about this book, specifically recommending the audiobook. Our narrator for this epic is a 12-year-old Iranian-born named Khosrou, who now lives in Oklahoma and is known as Daniel, and the tales he spins are drawn from his rich family history, ancient Persian folklore, and sometimes from the extraordinary and ordinary moments of his middle school life. "Every story is the sound of a storyteller begging to stay alive," Daniel tells us, perhaps explaining why he puts his whole heart and soul into the tales he weaves for his audience. This is a beautiful, heartbreaking, hilarious book, and while the books are by no means readalikes, I thought often of Trevor Noah's Born a Crime while I was listening.
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When I had no idea what to listen to next after finishing my current read, I popped over to our What Should I Read Next Patreon community and asked for recommendations... which led me to this book, which had been halfheartedly lingering on my TBR for a while. I had been under the mistaken impression it was a comedy work, but nope, that was completely wrong. I plunged in, as advised, knowing little but definitely intrigued by the inclusion of Lyle Lovett as a narrator. (All I will say is: he plays himself.) Forgive me if you already know this, but this is a memoir, written by an anonymous author, who explains how and why she came to operate the pseudonymous Twitter account @DuchessGoldblat. I LOVED it.
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This fine arts thriller begins with a bang: Ray McMillian may be the most talented young musician in the world. Two weeks before the most important competition of his life, he opens his violin case after getting off a flight and discovers his $10 million dollar Stradivarius is gone—replaced by a white Chuck Taylor and a ransom note. I was hooked! Slocumb then takes us back in time to show us how Ray, a young Black man from North Carolina who doesn't have the family wealth or privilege so many of his classical music peers do, fell in love with both music and his great-great grandfather's fiddle, and came to devote his life to winning the Tschaikovsky Competition—and how he came to own a $10 million Strad! We also experience many painful and heart-pounding instances of the racism Ray experiences as a Black man moving through a space that's predominantly white—and how his Blackness is used against him by those who wish to claim his violin as their own. I loved this, and JD Jackson's narration was the icing on the cake.
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After loving the works of Maylis de Kerangal in 2021, I've been interested in exploring more French literature, and I've had Perrin in my sights because she's published by Europa, a publisher I love for translated works. (Hildegarde Serle translates this one.) When Fabled book buyer gave me a nudge to read this, I was only too eager to jump in! I was hooked by her English language debut from the lyrical and utterly surprising opening passage, in which narrator Violette grounds us in her work as a cemetery caretaker. She sees her setting not as a sinister place but as a garden of souls where she gently tends the dead and those who come to pay them tribute. The achingly sad and touching story unspools over more than twenty years, yet always felt immediate, even urgent, mixing love and betrayal, drama and resilience, friendship and loss, drama and resilience, even poetry to great effect. I listened on audio, which was a little tricky in places because the narrative jumps through time, but I still loved experiencing the story in that format. I'm eager to read more of Perrin's works and already downloaded her new release Three to begin next.
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From the publisher: "Cara Romero thought she would work at the factory of little lamps for the rest of her life. But when, in her mid-50s, she loses her job in the Great Recession, she is forced back into the job market for the first time in decades. Set up with a job counselor, Cara instead begins to narrate the story of her life. Over the course of twelve sessions, Cara recounts her tempestuous love affairs, her alternately biting and loving relationships with her neighbor Lulu and her sister Angela, her struggles with debt, gentrification and loss, and, eventually, what really happened between her and her estranged son, Fernando. As Cara confronts her darkest secrets and regrets, we see a woman buffeted by life but still full of fight."
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From the publisher: "I would like to say a few things about my first husband, William. Lucy Barton is a writer, but her ex-husband, William, remains a hard man to read. William, she confesses, has always been a mystery to me. Another mystery is why the two have remained connected after all these years. They just are. So Lucy is both surprised and not surprised when William asks her to join him on a trip to investigate a recently uncovered family secret—one of those secrets that rearrange everything we think we know about the people closest to us. There are fears and insecurities, simple joys and acts of tenderness, and revelations about affairs and other spouses, parents and their children. On every page of this exquisite novel we learn more about the quiet forces that hold us together—even after we’ve grown apart."
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"This is a female text." These beginning words are repeated, over and over, throughout. But what to say about this story, how to define it? Words fail me here, because it's so unlike anything I've ever read: part memoir, part meditation on the female creative process, part biography of a long-dead Irish poet, plus a translation of the poet's best-known work. If you're stirred by the offer of gaining a glimpse inside the mind of a modern poet grappling with her brilliant predecessors, read this immediately. This went straight on my Best of the Year list. I listened to the exceptional audio version, narrated by Siobhán McSweeney.
With perimenopause comes great gifts and responsibilities, at least in this revenge fantasy about three women in their 40s. Nessa’s newfound ability to hear the dead leads her, Harriett, and Jo to the abandoned body of a teenage girl. The police decide the girl is just a drug-addicted sex worker and wash their hands of the case so the women decide to investigate on their own and discover a dark secret hiding in their wealthy town. Good thing they’ve got some rage to channel… Narrator January LaVoy brings the rotating perspectives to life, making for a thrilling read.
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