Hamilton: The Revolution
Hamilton fans, you know what to do. From the publisher: "The audiobook does more than tell the surprising story of how a Broadway musical became a national phenomenon: It demonstrates that America has always been renewed by the brash upstarts and brilliant outsiders, the men and women who don't throw away their shots." I LOVED this on audio (and it would have been even better with photos, like you get in the kindle edition).
Lin-Manuel Miranda’s groundbreaking musical, Hamilton, is as revolutionary as its subject: the poor kid from the Caribbean who fought the British, defended the Constitution, and helped to found the United States. Fusing hip-hop, pop, R&B, and the best traditions of theater, this once-in-a-generation show broadens the sound of Broadway, reveals the storytelling power of rap, and claims our country’s origins for a diverse new generation.
The audiobook does more than tell the surprising story of how a Broadway musical became a national phenomenon: It demonstrates that America has always been renewed by the brash upstarts and brilliant outsiders, the men and women who don’t throw away their shots.
Hamilton: The Revolution gives listeners an unprecedented insight into both revolutions, from the only two writers able to provide it. Miranda, along with Jeremy McCarter, a cultural critic and theater artist who was involved in the project from its earliest stages – “since before this was even a show,” according to Miranda – traces its development from an improbable performance at the White House to its landmark opening night on Broadway six years later. In addition, Emmy and Gold Globe-winning actor Mariska Hargitay lends her voice to the audiobook, and Miranda reads more than 200 funny, revealing footnotes for his award-winning libretto, the full text of which is included in the PDF with this audiobook.
“Mariska, in addition to being the number-one fan of the show, represents, to me, much of what Hamilton is about – tough, smart, and New York. She’s an essential part of this city; it feels only right for her to narrate the story.” (Lin-Manuel Miranda)