In this first person, character-driven narrative, we meet thirtysomething ICU doctor Joan. Her relationships with her Chinese and Chinese American family members are fraught, and her inability to read cues makes friendship and neighborliness tricky, but her great love for her work is utterly uncomplicated—that is, until her father dies. Her workaholism has always been seen as an attribute in her NYC hospital, but when she takes just 48 hours off to fly to Shanghai and back for his funeral, HR steps in and makes her take some extended time off. Without the distraction of work, Joan is forced to reckon with the things she's been avoiding, in all their complexity and ambiguity. But then COVID-19 enters the story, with devastating effects in her personal and professional life. I so appreciated being let into Joan's interior world: her cool assessments of the people around her, her dry (and sometimes unintentional) humor, and her frank reckoning with individual and societal struggles. Catherine Ho's excellent audiobook narration was a wonderful way to experience this story.

I loved listening to Joan Is Okay in August and wanted to dig deeper into Weike Wang’s backlist. In her 2017 debut novel our narrator is a chemistry PhD student who, feeling crushed by her demanding program and exacting Chinese parents, takes a leave of absence. She hopes to use this time to figure out what she really wants to do with her life, and to examine why she can’t just say “yes” when her committed boyfriend keeps pushing the idea of marriage. This literary novel is smartly written, with tight prose and a fascinating structure that serves the story well and makes it feel memoir-esque. I thought the ending was one part abrupt and one part pure brilliance, and would LOVE to unpack it in a book club setting. (I do want to flag a quick comment about gun violence for the sensitive reader: it caught me off guard, and made me wonder if now, six years later, that topic would have been handled differently.)