Flannery O'Connor
The Complete Stories: Flannery O’Connor

The Complete Stories: Flannery O’Connor

From the publisher: "O'Connor published her first story when she was working on her master's degree at the University of Iowa. Arranged chronologically, this collection shows that her last story, "Judgement Day"--sent to her publisher shortly before her death—is a brilliantly rewritten and transfigured version of "The Geranium." Taken together, these stories reveal a lively, penetrating talent that has given us some of the most powerful and disturbing fiction of the twentieth century. Also included is an introduction by O'Connor's longtime editor and friend, Robert Giroux."

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A Good Man Is Hard to Find and Other Stories

A Good Man Is Hard to Find and Other Stories

Some of my best and most meaningful school reading experiences came from those moments when I sat back, stunned, and thought I didn't know an author could DO that on the page!" So it goes with Flannery O'Connor, widely regarded as one of the all-time finest writers of short stories and Southern fiction. I encountered this specific groundbreaking collection, highly regarded even today for its originality, as a high school junior, and was by turns captivated and repulsed by its shocking, reverential, almost mythical, and often grotesque content. I can still remember reading my first O'Connor story in English class: we dove straight into the deep end with "A Good Man is Hard to Find." A jarring introduction to be sure, but it made me want to come back for more.

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The Violent Bear It Away

The Violent Bear It Away

From the publisher: "First published in 1955, The Violent Bear It Away is now a landmark in American literature. It is a dark and absorbing example of the Gothic sensibility and bracing satirical voice that are united in Flannery O'Conner's work. In it, the orphaned Francis Marion Tarwater and his cousins, the schoolteacher Rayber, defy the prophecy of their dead uncle—that Tarwater will become a prophet and will baptize Rayber's young son, Bishop. A series of struggles ensues: Tarwater fights an internal battle against his innate faith and the voices calling him to be a prophet while Rayber tries to draw Tarwater into a more "reasonable" modern world. Both wrestle with the legacy of their dead relatives and lay claim to Bishop's soul. O'Connor observes all this with an astonishing combination of irony and compassion, humor and pathos. The result is a novel whose range and depth reveal a brilliant and innovative writer acutely alert to where the sacred lives and to where it does not."

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