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This fine arts thriller begins with a bang: Ray McMillian may be the most talented young musician in the world. Two weeks before the most important competition of his life, he opens his violin case after getting off a flight and discovers his $10 million dollar Stradivarius is gone—replaced by a white Chuck Taylor and a ransom note. I was hooked! Slocumb then takes us back in time to show us how Ray, a young Black man from North Carolina who doesn't have the family wealth or privilege so many of his classical music peers do, fell in love with both music and his great-great grandfather's fiddle, and came to devote his life to winning the Tschaikovsky Competition—and how he came to own a $10 million Strad! We also experience many painful and heart-pounding instances of the racism Ray experiences as a Black man moving through a space that's predominantly white—and how his Blackness is used against him by those who wish to claim his violin as their own. I loved this, and JD Jackson's narration was the icing on the cake.
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The early pages of this swoony romance with serious depth are set at a literary festival, where bestselling writers Eva (bombshell of the fantasy romance genre) and Shane (darling of the literary fiction world) are reunited after nearly twenty years apart, in front of an audience of delighted readers. Nobody knows the two have met before, or that they were high school soulmates before they were wrenched apart due to circumstances neither fully understands. This was a lot of fun and also insightful about the complexities of romantic and family relationships, with a summer-in-NYC setting I particularly enjoyed. A couple of content notes: this is open door and includes addiction and self-harm, as Williams shows her characters working through trauma in order to find both healing and their way to each other.
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This poignant queer love story from TJ Klune follows Wallace, a man who's beginning to suspect that he might be dead. The author describes it as his take on a Christmas carol with Wallace Price playing the role of Ebenezer Scrooge. Intriguing, right? Before he died, Wallace had grown into a pretty terrible man. When he dies, he's not taken straight to the afterlife but instead to a peculiar tea shop that serves as a sort of waystation between worlds. In that tea shop Wallace is given a choice, if he decides to take it: now that he's dead, he can finally learn to live and make the most of the "life" he has now. Whimsical, weird, and touching, this is a book about love and loss, about grief and what it does to people, and ultimately, about hope.
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This follow-up to Pulitzer winner Less follows protagonist Arthur Less on a cross-country adventure after the death of an old lover and a sudden financial crisis. Andrew Sean Greer has a knack for pitch perfect, let-me-read-it-one-more-time, can't-do-better-than-that soaring endings. When I finished Less, I wanted to flip back to the beginning of the book and start reading again, it was that good. The ending to Less Is Lost might be even better.
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