Quick Lit November 2021

From the publisher: "Written prior to Covid-19 by a former emergency medicine physician, Doctors and Friends incorporates unexpected wit, razor-edged poignancy, and a deeply relatable cast of characters who provoke both laughter and tears. Hannah, Compton, and Kira have been close friends since medical school, reuniting once a year for a much-needed vacation. Just as they gather to travel in Spain, an outbreak of a fast-spreading virus throws the world into chaos. When Compton Winfield returns to her job as an ER doctor in New York City, she finds a city changed beyond recognition—and a personal loss so gutting it reshapes every aspect of her life. After years of trying, Hannah discovers she's expecting a baby just as the disease engulfs her city. Kira Marchand, an infectious disease doctor at the CDC in Atlanta, finds herself at the center of the American response to the terrifying new illness. Her professional battle turns personal when she must decide whether her children will receive an experimental but potentially life-saving treatment."
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For those who've only read The Underground Railroad and The Nickel Boys, Whitehead's new novel is going to feel like a huge departure; this is more like Sag Harbor, his 2009 novel set in 1980s New York City. (As you can see, Whitehead has range.) At the center of the story sits Ray Carney, a man caught between two worlds: he wants to be a respectable family man, but can't seem evade the pull of the crime scene of 1960s Harlem, and its profits. This has been often described as a heist novel—and it is—but please know going in that it is carefully-constructed and slow-building, with rich character development and a sly sense of humor. Excellent on audio, as narrated by Dion Graham.
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What to say about this book? For the first 75 pages, I was bored to tears. I could not keep the characters straight. I did not understand what Hazzard was up to. But by the end, I thought it to be one of the best books I'd ever read, with a spectacular—if devastating—ending. And then I flipped to the beginning to start again. I knew going in that Hazzard's husband once remarked that no one should have to read this book for the first time; read it and you'll see why. First-time readers should know that Hazzard knows what she's about, that it takes her ten years to write novels because each sentence is constructed with care, that this story, ostensibly about love and family, is every bit as much about power.
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I picked up Kyrie at the suggestion of an author friend who told me it was simply stunning and I had to read it—but when I began I had NO IDEA this collection of blank verse sonnets was about the 1918 influenza pandemic. The dedication, drawn from Alfred Crosby's book America's Forgotten Pandemic: The Influenza of 1918, reads, "Nothing else—no infection, no war, no famine—has ever killed so many in as short a period." I'm glad I read this, but emotionally, it was a tough go, with lines like, "The weeks of fewer cases were a tease" and "How we survived: we locked the doors and let nobody in." Published in 1995, this is already a modern classic, and I expect readers will be returning to this collection for decades to come.
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From the publisher: "From prize-winning, acclaimed author Laird Hunt, a poignant novel about a woman searching for her place in the world and finding it in the daily rhythms of life in rural Indiana. As a girl, Zorrie Underwood's modest and hardscrabble home county was the only constant in her young life. After losing both her parents, Zorrie moved in with her aunt, whose own death orphaned Zorrie all over again, casting her off into the perilous realities and sublime landscapes of rural, Depression-era Indiana. Drifting west, Zorrie survived on odd jobs, sleeping in barns and under the stars, before finding a position at a radium processing plant. At the end of each day, the girls at her factory glowed from the radioactive material. But when Indiana calls Zorrie home, she finally finds the love and community that have eluded her in and around the small town of Hillisburg. And yet, even as she tries to build a new life, Zorrie discovers that her trials have only begun. Spanning an entire lifetime, a life convulsed and transformed by the events of the 20th century, Laird Hunt's extraordinary novel offers a profound and intimate portrait of the dreams that propel one tenacious woman onward and the losses that she cannot outrun. Set against a harsh, gorgeous, quintessentially American landscape, this is a deeply empathetic and poetic novel that belongs on a shelf with the classics of Willa Cather, Marilynne Robinson, and Elizabeth Strout."
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This was another book where I read the final paragraph and turned back to the beginning to read it again. I'm working my way through Maggie O'Farrell's backlist, and this, her 2000 debut, may be my favorite of her older works. Told from multiple points of view, in multiple timelines, it took me a few chapters to find my footing, but once I did I blew through this compelling mix of love story, mystery, and compelling family saga. You should know that terrible, seemingly random tragedies beset characters in O'Farrell's novels, yet in her plots these surprising turns don't feel cheap, but all too true to our own real life experiences. (As one character muses, "Why isn't life better designed so it warns you when terrible things are about to happen?")
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Fans of The Chronicles of Narnia and Becoming Mrs. Lewis, take note: Patti's new book tells the story behind the story of Narnia. In alternating timelines, we meet a young Jack Lewis, whose life was largely emptied of love after his mother died. And we meet another 8-year-old boy, chronically ill and fated to die young, whose greatest joy might come from a book: the recently published novel The Lion, the Witch, and the Wardrobe. Despite the sorrow inherent to the premise, the book is full of joy: I don't use the word "charming" a lot, but it certainly applies here.
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