Quick Lit March 2024

This oddly structured pageturner from Nashvillian Ann Patchett fuses opera and a hostage crisis–and surprisingly, it works. Japanese businessman and opera buff Katsumi Hosokawa is celebrating his birthday in an unnamed South American country, in the company of diplomats, government officials, and businessman. Mr. Hosokawa has no intention of building the factory they're courting him for but he can't resist attending, because the South Americans have secured a performance by legendary soprano Roxanne Coss. The country's president is unable to attend (he's much too interested in what happens on his favorite soap opera on Tuesday nights), and his fixation spares him from being taken hostage when a militant group storms the gathering. Intriguing, highly readable, and loosely based on a true story.
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Five years ago, Sunday Brennan left her small New York hometown, abandoning her parents, three brothers, and devoted fiancé with no explanation. In the present, after a wildly uncharacteristic episode of binge drinking lands her in the hospital, her brother convinces her to come home for a little while to recuperate and help with the Irish American family's struggling bar. Not everyone is thrilled to see the prodigal daughter, and her reappearance eventually causes all kinds of long-held family secrets to finally come pouring out. I loved this for its portrayal of complex family dynamics (especially among the four siblings), its sweet tale of young love, the ever-interesting setting of the bar, and its hopeful—but not tidy—resolution.
From the publisher: "American women—American wives—have been mostly minor characters in the literature of the Vietnam War, but in Absolution they take center stage. Tricia is a shy newlywed, married to a rising attorney on loan to navy intelligence. Charlene is a practiced corporate spouse and mother of three, a beauty and a bully. In Saigon in 1963, the two women form a wary alliance as they balance the era’s mandate to be 'helpmeets' to their ambitious husbands with their own inchoate impulse to 'do good' for the people of Vietnam. Sixty years later, Charlene’s daughter, spurred by an encounter with an aging Vietnam vet, reaches out to Tricia. Together, they look back at their time in Saigon, taking wry account of that pivotal year and of Charlene's altruistic machinations, and discovering how their own lives as women on the periphery—of politics, of history, of war, of their husbands' convictions—have been shaped and burdened by the same sort of unintended consequences that followed America's tragic interference in Southeast Asia."
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From the publisher: "'Love is our only hope,” Anne Lamott writes in this perceptive new book. “It is not always the easiest choice, but it is always the right one, the noble path, the way home to safety, no matter how bleak the future looks.' In Somehow: Thoughts on Love, Lamott explores the transformative power that love has in our lives: how it surprises us, forces us to confront uncomfortable truths, reminds us of our humanity, and guides us forward. 'Love just won't be pinned down,' she says. 'It is in our very atmosphere' and lies at the heart of who we are. We are, Lamott says, creatures of love. In each chapter of Somehow, Lamott refracts all the colors of the spectrum. She explores the unexpected love for a partner later in life. The bruised (and bruising) love for a child who disappoints, even frightens. The sustaining love among a group of sinners, for a community in transition, in the wider world. The lessons she underscores are that love enlightens as it educates, comforts as it energizes, sustains as it surprises. Somehow is Anne Lamott’s twentieth book, and in it she draws from her own life and experience to delineate the intimate and elemental ways that love buttresses us in the face of despair as it galvanizes us to believe that tomorrow will be better than today. Full of the compassion and humanity that have made Lamott beloved by millions of readers, Somehow is classic Anne Lamott: funny, warm, and wise."
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Olga Dies Dreaming author González returns with a fiery, campus-y novel set in the worlds of academia and fine art. In 1985, artist Anita de Monte falls to her death during a nasty fight with her husband, the prominent artist Jack Martin, whose fragile ego is threatened by Anita’s burgeoning success. Jack calls it an accident and carries on like nothing happened, but Anita is determined to make him pay. Flash forward to 1998, when Brown art student Raquel is preparing to launch her senior thesis on Martin, but gets sidetracked when she learns of Anita’s forgotten art—and suspicious death. Raquel admires the work and feels a kinship with its creator, another outsider in the art world. Raquel may hang with the white and rich Art History Girls, but as a first generation Puerto Rican college student, she can’t—and doesn’t want to—be mistaken for one. Plus the ways her own aspiring artist boyfriend’s actions resemble Jack’s are deeply unsettling. Smart and sophisticated (and more than a little sweary), this scintillating sophomore effort was everything I hoped for and more. Bianca Bosker’s nonfiction work Get the Picture would make a fascinating flight pick.
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