Quick Lit August 2026

This debut novel came to me via WSIRN guest Danielle, who shared it in her episode (WSIRN Ep. 537: Tackling a tower of unread ebooks) as one of her recent reads by Canadian authors she really enjoyed. This came to her via the annual Canada Reads competition. The book is about a struggling sportswriter named Adam who, in an effort to revive a career that never took off the way he'd hoped, decides out of desperation to play the one card he promised himself he'd never play: he'll write a Sports Illustrated profile about the notorious and reclusive hockey star Terry Punchout. The thing is, Terry is Adam's estranged father. And so Adam returns to his small Nova Scotia hometown, where he finds his dad but also reconnects with friends he'd left behind (and possibly hadn't been kind enough in the leaving). While set in the world of hockey, the focus is the relationships, not the game. I listened to the audio, narrated by Chai Valladares.
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My own impatience doesn't typically steer me toward singular reading experiences, but that's what happened here. The substance of the play is this: in 2018, in a one-stoplight Georgia town, a high school class close reads The Crucible with their teacher, and the conversation quickly turns from the history explicitly and implicitly in its pages to what is happening in the students' community right now. I heard such good things about the production during its Broadway run, starting with reviews from the theater kids in my life, but then changes in the play's licensing (presumably due to the coming movie) meant the local-ish university production planned for this fall was canned. I resigned myself to reading the script for the time being ... and was unexpectedly charmed by that experience. I so enjoyed pouring over all the putting-it-together details laid out there that I never would have known about had I seen the production cold—the notes on casting, dialect, pace, accents, how to incorporate the Lorde song "Green Light" into the show. I don't read many contemporary scripts but this was such a good and distinctive reading experience I'm eager to read more.
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The Singer's Gun was Emily St. John Mandel's second novel, published in 2010. In fact, Mandel said she wrote Station Eleven in a deliberately different genre, because she was afraid of getting pigeonholed as a crime writer. In The Singer's Gun Anton Walker has walked away from the family business of false documents, when his cousin ropes him back for just one more job with a bit of blackmail (his previous "final" act of forgery was the Harvard diploma that hangs on his office wall). Anton is stuck between his new simple life, outfitted with apartment, fiancée, and an Italian honeymoon on the horizon, and what he hopes will be an easy price for his promised freedom. He counts the cost, and makes his decision. And that's when things get really interesting.
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My interest in art has grown these past few years, so this coffee table book caught my eye online. I checked out the ebook from the library (I've found cookbooks and coffee table books render decently on a laptop or iPad) but decided almost immediately to buy the physical copy so I could have it on my coffee table: I suspect it's one I'll want to keep coming back to! This friendly how-to guide by a Des Moines gallerist and art advisor is at once joyful and practical. If you want, the book can function as plain and simple eye candy. But Lidgett also offers plain-spoken guidelines on acquiring, displaying, and caring for art. I've warned Will that now I want to paint every room in the house (she has wall color suggestions, including the coral shade that kicked off my own painting spree!) and put nail holes everywhere in a quest to put her guidance to good use.
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I started the egalley of this new summer release back when I was vetting books for the 2026 Summer Reading Guide and the narrator's voice just didn't grab me. At a whopping 656 pages, I wasn't inclined to stick it out, and put it down. But this summer MMD Book Clubbers kept telling me how much they enjoyed this book on audio, and advised I be patient until I meet both main characters on the page. I'm so glad I gave it a second chance because I LOVED my listening experience! The story is set in 1933: the first-person narrators are Meg, an eleven-year-old resident of Oxford, Mississippi's orphanage who is convinced her mother didn't mean to leave her, and Birdie, a not-so-old old maid who travels from the rural family home to Oxford to visit her well-married sister, but really, to beg for money to carry the family through the hard times. But what she finds .. is NOT what she expected. And then Birdie's story intersects with Meg's and the hijinx really begin. This was a walk-another-mile audiobook; I felt like I was in good hands from beginning to end, in no small part thanks to Jenna Lamia and January LaVoy's narration.
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