Quick Lit April 2026

I love Susan Meissner and her work. This story unfolds in two threads: in 1938 California, a 16-year-old named Rosie is orphaned and subsequently taken in by the owners of the vineyard where her father worked. The circumstances by which she ends up pregnant are ugly, but she loves the idea of having a child and doesn't protest when she's sent to the home for unwed mothers. But that's <em>not</em> where she's sent: because of her misunderstood synesthesia, she's sent against her will to a hospital for the mentally infirm; she will not be allowed to keep her baby, nor will she be able to have children in the future. Meanwhile in 1940s Austria, Helen, the sister of the vineyard owner, who knew Rosie when she was young, has been working for years as a nanny and witnesses firsthand the brutal impacts of the Nazi regime. When Helen finally returns home in 1947, she is shocked to learn what's become of Rosie, and why. I raced through the story so I could learn how Helen and Rosie's threads would finally converge and it was so satisfying when they did. I enjoyed listening to the audiobook, narrated by Xe Sands and Jorjeana Marie.
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I started this collection because of a mistake, but then I didn't want to stop listening! And at just four hours, I didn't exactly have to talk myself into it. In this collection, narrated by Alice Hoffman, a WIDE array of authors weigh in on their beloved canine companions, sharing the joys, the laughs, the bafflements, the heartbreaks of dog ownership: Isabel Allende, Emily Henry, Roxane Gay, Amy Tan, Bonnie Garmus, Paul Yoon, and plenty more. Above all, as promised, these are essays on love. If you're a dog person in need of a feel-good comfort listen, maybe consider this one?
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I wasn't familiar with the work of Gayl Jones, but my prep for our Modern Mrs Darcy Book Club conversation with Grown Women author Sarai Johnson pointed me to her: Johnson cited Jones's work as inspiration for her own story about four generations of Southern Black women, particularly Corregidora, first published in 1975, acquired and edited by Toni Morrison. The titular character Ursa Corregidora is a Kentucky jazz singer who, after suffering a violent injury that leaves her unable to have children, confronts and attempts to come to terms with the trauma experienced by generations of women in her family. This was a bracing read, with a distinct vernacular style and a great deal of violence; in an effort to better understand it I went down a rabbit hole and have learned so much about Jones, her Kentucky roots, and her deep impact on American and Black literature. For those interested, I especially enjoyed this 2021 profile by Imani Perry, which also includes much about Jones's Kentucky roots and current residence. Given the Kentucky connection I can't believe I wasn't better acquainted with Jones before but I'm grateful that Sarai Johnson guided me in her direction.
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