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Literary Fiction for beginners

What to say about this book? By turns delightful and dreadful, it's set inside the very real independent bookstore Birchbark Books, owned by novelist Louise Erdrich, and takes place from November 2019 to November 2020. Wonderful and beautiful and at times laugh-out-loud funny, but also heart-stopping in its descriptions of the Covid-19 pandemic and the murder of George Floyd (which took place just a few miles away). Avid readers take note: this book about books includes more than 150 book recommendations, which are thoughtfully compiled in an appendix. Make sure to take a look at the back matter, or download the audiobook supplement if you read in that format, as I did.
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This 2006 mystery, set firmly in the tradition of Gothic greats like Jane Eyre, kept me guessing from start to finish. The premise is intriguing (and you may find yourself a little bit envious of the narrator's bookish existence). A little dark and deliciously creepy, perfect for curling up with on a cold winter's day. Take note: a few unsettling scenes if you're a sensitive sort. (I am.)
I sat down with this book on a Saturday and read the entire thing because I didn't want to put it down. It is a pandemic story, following Lucy as she escapes with her companion from New York City to the coast of Maine. The conversations in this book are about the pandemic, but also about the fragility of life and what it means to be in relationship with others, and I found it touching, sad, but ultimately life-affirming.
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“Lydia is dead, but they don’t know this yet.” That’s not a spoiler, that’s the opening line of Ng’s stunning debut. When this unexpected loss is discovered, the family begins to fall apart, and as they struggle to understand why it happened, they realize they don’t know their daughter at all. Ng’s use of the omniscient narrator is brilliant: she reveals what’s going on in her characters hearts and minds, allowing the reader to learn the truth of the tragedy, even if the family never does. An exploration of love and belonging, fraught with racial and gender issues. This is one that will stay with you long after you turn the last page. Powerful, believable, utterly absorbing.
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Barbara Kingsolver is back with a retelling of David Copperfield; no familiarity with the original required but if you have read it, you’ll appreciate her updates. Damon Fields, known as Demon Copperhead for his red hair, grows up impoverished in the southern Appalachian mountains in Virginia. We first meet him at age 11 and then follow along as his mother becomes addicted to opioids, he goes through the foster care system, and later wrestles with substance abuse himself. Just as David Copperfield was an impassioned work of social activism, this examines the ravages in southwestern Virginia and how the people Demon loves and identifies with are oppressed by those who have power. It’s a big book and it’s worth every page. 560 pages.
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Opening line: "My father, James Witherspoon, is a bigamist." In her third novel, Jones writes about the link between two African-American half sisters, one legitimate and one secret, only one of whom knows the other exists. That is, until the secret of their father's second marriage starts to force its way into the open. Rather than writing back-and-forth between two perspectives, the reader encounters almost all of one sister's point of view in the first half, followed by the other's. The result is an absorbing coming-of-age narrative wrapped in a complicated family novel. I already loved this book, but when we discussed it with author Tayari Jones in the MMD Book Club, my appreciation and enjoyment skyrocketed, as so often happens. I love to peel back all the layers of a good book.
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This is the novel I didn't know I was longing to read, with its tender familial relationships, Michigan cherry orchard setting, and insider look at summer stock theater. When Lara is nearing sixty and the pandemic is just beginning, her three adult daughters return home for the summer. The girls have long romanticized their mother’s once-upon-a-time romance with a megastar actor, and now, all together again, the girls direct Lara to tell them the whole story from the beginning. She unspools her story slowly, over three long weeks harvesting cherries on the family property. I’m still not sure how I feel about the ending, but this story? Absolutely gorgeous. I can’t wait to read it again. For fans of Rebecca Serle’s One Italian Summer and Anne Enright’s Actress.
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An eerie take on the coming-of-age theme. Ishiguro expertly combines speculative fiction and literary fiction to great effect. I talked about my love for this one in Volume III of One Great Book. Haunting and atmospheric, with a sad truth that dawns on you gradually. Ishiguro slowly introduces the reader to three teens in a 1990s British boarding school. His prose says so much while revealing so little, as it slowly dawns on the reader what is not-quite-right about these children's lives.
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The publisher calls this "Shakespearean in its drama, Austenian in its wit, and, like both influences, fascinated by what makes us who we are. A landslide has closed the Korowai Pass on New Zealand’s South Island, cutting off the town of Thorndike and leaving a sizable farm abandoned. The disaster presents an opportunity for Birnam Wood, an undeclared, unregulated, sometimes-criminal, sometimes-philanthropic guerrilla gardening collective that plants crops wherever no one will notice. For years, the group has struggled to break even. To occupy the farm at Thorndike would mean a shot at solvency at last. But the enigmatic American billionaire Robert Lemoine also has an interest in the place: he has snatched it up to build his end-times bunker, or so he tells Birnam’s founder, Mira, when he catches her on the property. He’s intrigued by Mira, and by Birnam Wood; although they’re poles apart politically, it seems Lemoine and the group might have enemies in common. But can Birnam trust him? And, as their ideals and ideologies are tested, can they trust one another?"
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I love Lahiri and reading the description (and excellent reviews) on this collection makes me want to bump it to the top of my list. From Publishers Weekly: "Lahiri's touch in these nine tales is delicate, but her observations remain damningly accurate, and her bittersweet stories are unhampered by nostalgia."
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An intergenerational story about family, war, loss, and love. In 1974 Cyprus, a Christian Greek boy and a Muslim Turkish girl fall in love despite it being forbidden. In 2010s London we learn how the past affected the family today…and every other chapter is narrated by the fig tree that saw everything happen. Shafak said her reason for making a tree a character and giving the tree an actual voice is that she wanted a character who stood outside of time, who was there before the humans and would be there after. Literary fiction is often weird and creative and can be all the more powerful for it.
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Adebayo's debut is a powerful, emotional story about love, family, and fidelity set against the backdrop of the turbulent political climate of 1985-2008 Nigeria. The story begins with Yejide's mother-in-law arrives at her door with a guest in tow: her husband's second wife, that she didn't know he'd married. What follows is an unforgettable novel about sacrifice that sticks with me to this day.
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From the publisher: "'We didn’t call the police right away.' Those are the electric first words of this extraordinary novel about a biracial Korean American family in Virginia whose lives are upended when their beloved father and husband goes missing. Mia, the irreverent, hyperanalytical twenty-year-old daughter, has an explanation for everything—which is why she isn’t initially concerned when her father and younger brother Eugene don't return from a walk in a nearby park. They must have lost their phone. Or stopped for an errand somewhere. But by the time Mia’s brother runs through the front door bloody and alone, it becomes clear that the father in this tight-knit family is missing and the only witness is Eugene, who has the rare genetic condition Angelman syndrome and cannot speak. What follows is both a ticking-clock investigation into the whereabouts of a father and an emotionally rich portrait of a family whose most personal secrets just may be at the heart of his disappearance."
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I didn’t know a book could be both gorgeous and terrifying—but then I devoured this in a day. When two college friends plan a long canoeing trip in northern Canada, they anticipate a peaceful yet memorable summer escape filled with whitewater paddling, fly fishing, and campfire cooking. The first hint of danger is a whiff of smoke, from an encroaching forest fire. The next comes from a man, seemingly in shock, who reports his wife disappeared in the woods. If these boys didn’t feel compelled to do the right thing and go look for her, they’d be fine, but instead they step in to help—and are soon running for their lives, from disasters both natural and man-made. A tightly-written wilderness adventure, a lyrical mystery, and a heartrending story of friendship, rolled into one. For fans of Sebastian Junger’s Fire and Tim Johnston’s The Current.
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Literary historical fiction that is a book within a book within a book, weaving a tangled web of power, wealth, and deceit. While many Americans struggled after the Wall Street crash of 1929, Benjamin and Helen Rask flourished. The popular novel Bonds, published in 1937, details their privileged upbringing, excessive lifestyle, and the cost of acquiring their fortune. But Bonds might not be the whole story or the right one. Fans of epistolary literature will appreciate the four-part structure of a novel, autobiography draft, memoir by the biographer, and diary excerpts. Every time you think you know the story, it transforms into something else.
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The story begins with a shooting: it's 1969, in the Cause Houses housing project in south Brooklyn; a beloved drunk deacon named Sportcoat wanders into the courtyard and shoots the drug dealer he'd once treated like a son point-blank, in front of everyone. After this jolting beginning, McBride zooms out to show the reader how this violent act came to take place, exploring the lives of the shooter and the victim, the victim's bumbling friends, the residents who witnessed it, the neighbors who heard about it, the cops assigned to investigate, the members of the church where Sportcoat was a deacon, the neighborhood's mobsters (and their families). All these people's lives overlap in ways that few understand in the beginning, and McBride's gentle teasing out of these unlikely but deeply meaningful connections—and the humor and warmth with which he does it—is what captured me.
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Feyi’s husband died five years ago in a tragic accident. It’s taken this long for her to put the pieces of her life back together and, at her best friend Joy’s insistence, she’s starting to think about dating again. Not anything serious, mind you. One hot encounter during a summer party launches her back into the dating scene. As Feyi accepts an opportunity from a curator interested in launching her art career, she’s also tempted by a connection with the one person who should probably stay off limits. This is a messy tale of love, sex, and second chances.
Readers, this book is weird. But if you love novels told in interconnected short stories, unique prose, and 80's nostalgia, it might work for you. Because it's written in first person plural, the narration takes some getting used to. The novel follows the 1989 Danvers field hockey team as the girls perform a witchy ritual in order to guarantee a winning season for their senior year. While they win on the field, the players experience the trials of nearing adulthood, like exploring their identities, dealing with family drama, and combatting rumors at school. The ending comes as a delightful surprise and strikes an empowering tone. Though the characters are teenagers, this not a YA novel.
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Lovers of complicated marriage and family stories, this one’s for you. Jack and Elizabeth fell in love during college, part of 1990s Chicago’s thriving art scene. Twenty years later, they’re far from the idealistic dreamers they used to be. Jack and Elizabeth are looking to buy their first home in an expensive part of the city in the face of disappointing careers and the difficulties of parenting. Hill explores modern marriage in the age of diet culture, Facebook, therapy, and cults and the result is both moving and humorous.
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Some stories in this collection are quick five page reads, and others are closer to 40 pages—all of them make you feel like you're right there in the main character's life. These stories are about love, sex, relationships, work, mistakes and successes. Each story explores the unique predicament of one character, but they flow seamlessly from one woman's life to another, thanks to Philyaw's evocative prose and rich detail. I read my favorite story “How to Make Love to a Physicist” twice through because I loved it so much. Janina Edwards narrates this fabulous collection.
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