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My favorite books of 2020: Fiction

Don’t be fooled by the cheery cover; I loved this book, but it’s no rom-com. January is a 29-year-old romance writer who no longer believes in happily-ever-after. Demoralized and broke, she moves into the beach house she inherited when her father died, hoping to lick her wounds and finish her current manuscript. But then, in a cruel twist of fate, she discovers her neighbor is the beloved literary fiction writer Augustus Everett, her college rival (and crush), whom she was hoping to never see again. It turns out Gus has troubles of his own, and so the two make a bet to get their writing back on track: January will try her hand at the “bleak literary fiction” that Gus writes, and Gus will write a romance novel. A warm and delightfully meta take on love, writing, and second chances.
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This page-turner was not at all what I expected. Written in 1929, set during the Jazz Age in Harlem, this is the story of two childhood friends who reconnect after choosing very different paths. Both women are Black and light-skinned. Clare has chosen to pass for white, and is even married to a white man who knows nothing of her heritage or history. Irene is married to a successful African-American physician. As the women spend more time together, Irene's life starts looking better and better to Clare ... and what unfolds is a battle of wits in a story akin to a psychological thriller. The story feels so fresh and unexpected, I couldn't believe it was written nearly a hundred years ago. Readers have suggested this as an excellent flight pick for The Vanishing Half. Rebecca Hall's film-writing debut premiered at the Sundance Film Festival.
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A reading friend passed this my way, describing it as a tale of "outlaw librarian lesbian spies." This genre-bending novella is a little bit fantasy, a little bit dystopia, with a neo-Western vibe. It starts with a woman on the run, fleeing a bad marriage and the law after her partner was hanged for possessing Unapproved Materials that were not government-sanctioned. She takes shelter with a band of traveling librarians—and quickly discovers that these librarians are insurrectionists against the state. I loved how this book was constantly surprising in every way. Gailey made me laugh on every page, even as their characters shoot up gangsters in their quest to dismantle the patriarchy and right society's wrongs.
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"Making good moonshine isn't that different from telling a good story, and no one tells a story like a woman." So begins Shiner, a new literary novel certain to land on my best-of-the-year list. Wren lives in the Appalachian Mountains with her family: her snake-handler father, who scares and enraptures the town with his preaching, and her mother, who only ever wanted to get off the mountain with her best friend Ivy, but whose parents made her marry. When Ivy stumbles into the fire and Wren's father performs a "miraculous healing," it sets in motion a chain of events that has devastating consequences for all. Gorgeous, lush, and beautifully sympathetic, I read this in one sitting. Recommended reading for fans of Jayber Crow.
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In her sweeping new novel, Maggie O’Farrell takes a few historically known facts about Shakespeare’s wife and family and, from this spare skeleton, builds out a lush, vivid world. You should know this book is devastating, and I consumed the better part of a box of Kleenex while reading it. Yet with its captivating central character and evocative storytelling, I didn’t want to leave Shakespeare’s world—or put down O’Farrell’s writing. The story centers on Agnes, Shakespeare’s wife, who is torn apart by grief when their son Hamnet dies at age 11. Soon after, Shakespeare writes Hamlet—and O’Farrell convincingly posits that the two events are closely tied. In her distinctive style, O’Farrell takes you to the heart of what really matters in life, making you feel such a deep sense of loss for Hamnet that you won’t look at your own life the same way.
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I read and enjoyed my advance review copy ages ago, and I'm so glad it's finally here! The story begins in France, 1714: a girl is running for her life. She's been warned to never pray to the gods that answer after dark, but she's desperate to escape an unwanted marriage—and so makes a deal with the devil. In doing so, she gains immortality—but only slowly does she realize that she's given up the possibility that anyone will remember her, ever. Not her legacy, her existence, or even her name. Over the next 300 years, she learns to work within the confines of her curse, moving through a world where she cannot leave a mark. Until one day, in a Manhattan bookstore (it's called The Last Word, and boasts a bookstore cat named Book), she encounters a beat-up copy of Homer's Odyssey and a man who offers her the kind of hope she hasn’t felt for 300 years. An imaginative, absorbing, genre-busting read sure to land on my personal best-of-the-year list.
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A follow-up novel to the 2009 Pulitzer winner Olive Kitteridge. From the publisher: "Prickly, wry, resistant to change yet ruthlessly honest and deeply empathetic, Olive Kitteridge struggles to understand not only herself and her own life but the lives of those around her in the town of Crosby, Maine. Whether with a teenager coming to terms with the loss of her father, a young woman about to give birth during a hilariously inopportune moment, a nurse who confesses a secret high school crush, or a lawyer who struggles with an inheritance she does not want to accept, the unforgettable Olive will continue to startle us, to move us, and to inspire us—in Strout’s words—'to bear the burden of the mystery with as much grace as we can.'"
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From the publisher: "New York Times bestselling author Mira Grant, author of the renowned Newsflesh series, returns with a novel that takes us to a new world of ancient mysteries and mythological dangers come to life. The ocean is home to many myths, but some are deadly. . . Seven years ago the Atargatis set off on a voyage to the Mariana Trench to film a mockumentary bringing to life ancient sea creatures of legend. It was lost at sea with all hands. Some have called it a hoax; others have called it a tragedy. Now a new crew has been assembled. But this time they're not out to entertain. Some seek to validate their life's work. Some seek the greatest hunt of all. Some seek the truth. But for the ambitious young scientist Victoria Stewart this is a voyage to uncover the fate of the sister she lost. Whatever the truth may be, it will only be found below the waves. But the secrets of the deep come with a price."
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When my husband, Will, was on the podcast, he named this as his favorite book possibly ever—and so I made it a winter break priority. I LOVED it and read it in two days. The story centers around two velodrome cyclists who are best friends and arch-rivals, training under the same coach for their last remaining shot at the London Olympics, while respectively navigating personal crises and the life-threatening sickness of a child (note that content warning, please). I was riveted as Cleave set out the complicated history between the two women and kept raising the stakes in the present. The story is told from multiple points of view to great effect; the coach's point of view made the book for me.
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I was utterly absorbed by this wistful novel about first love, coming of age, and Shakespeare, from the author of One Day. 16-year-old Charlie Lewis doesn’t have much to look forward to. He’s struggling in school, his family’s fallen apart, he’s caring for his depressed father, and he can’t see beyond what seems like an endless summer. But then one day he’s out for a bike ride and literally stumbles into a beautiful girl and a local theater production of Romeo and Juliet. When Charlie asks the girl to coffee she gives him an ultimatum: he has to join the production. Charlie doesn’t see himself as “one of those theater kids,” but he can’t say no to Fran—and this decision changes his whole world. Perceptive, bittersweet, and stirring.
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This charming debut is sure to delight Austen fans. Jane Austen lived out her last days in the sleepy village of Chawton, and in the days just after World War II, her legacy still looms large. Times are hard, and we meet several villagers burdened with their own private sorrows, who are doing what they’ve always done: turning to the works of Austen for solace. When a local business attempts to buy the Austen property and raze her cottage, the villagers band together to preserve her legacy. At one point, a character muses that Austen’s works present “a world so a part of our own, yet so separate, that entering it is like some kind of tonic.” The same can be said of Jenner’s wonderful book. Don’t miss Jenner’s 2022 novel Bloomsbury Girls, out May 17; audiophiles should know Juliet Stevenson narrates. For fans of Annie Barrows and Mary Ann Shaffer’s The Guernsey Literary and Potato Peel Pie Society and Charlie Lovett’s The Last Book of the Grail.
Finally, a follow-up to Bennett’s smashing debut The Mothers—and it’s worth the wait. Identical twins Desiree and Stella grew up in a town so small it doesn’t appear on maps. They’re closer than close, so Desiree is shocked when Stella vanishes one night after deciding to sacrifice her past—and her relationship with her family—in order to marry a white man, who doesn’t know she’s Black. Desiree never expects to see her sister again. The twins grow up, make lives for themselves, and raise daughters—and it’s those daughters who bring the sisters together again. It’s a reunion Stella both longs for and fears, because she can’t reveal the truth without admitting her whole life is a lie. Bennett expertly weaves themes of family, race, identity, and belonging into one juicy, unputdownable novel spanning five turbulent decades.
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Jemisin’s new urban fantasy, packed with explosive energy and astonishing worldbuilding, is the first installment of a planned trilogy. Every city has a soul, and the great cities of civilization—like Rome, Athens, São Paolo—finally reach a point when they come to life. Now it’s New York’s time to be born, but the city itself is too weakened by a gruesome attack to complete the process. If New York is to live, five people—or, more precisely, five avatars, one for each of the city’s boroughs—must rise up and unite to evade, and then destroy, the creeping tentacles of their opponent, the amorphous power personified by the Woman in White. Jemisin layers her fantasy upon a deeply realistic modern-day New York. A wild and wonderful ride, fantastically inventive and imaginative.
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