Completist Author: Emily St John Mandel

Mandel's seventh novel publishes on September 15, 2026. It begins in the spring of 2031, the first spring after the collapse of the United States, at a party in Los Angeles held to celebrate the withdrawal of soldiers from the Republic of California—that is, the beginning, it is hoped, of peace. But something strange happens at this party: a kitchen door becomes a portal to an an alternate authoritarian reality. I found this to be thrilling on a plot level and also deeply intellectual; it will hold up to repeated rereadings. Mandel is clearly having fun with her Mandel multiverse here, bringing in characters and referencing plot points from The Singer's Gun, The Glass Hotel, and Sea of Tranquility, and musing about the possibilities of a duoverse, inside a novel that is itself a duoverse, with an "A Side" and "B side." This broke my brain in the best way; I can't wait to read it again.
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This is the kind of book I love: a compulsively readable literary mystery, featuring stylish prose plus a plot that keeps you turning the page to find out what happens next. I was so impressed by the way Mandel unfolded the story piece by piece, introducing us to a seventeen-year-old girl in hiding (with piles of cash duct-taped to the underside of her baby's stroller), and slowly revealing how she ended up there—and how the members of the old high school musical group the Lola Quartet are connected to her disappearance. Set in muggy South Florida, the story is dripping with atmosphere and has a noir feel.
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"No one stays forever." So begins Mandel's debut, and, as it happens, the last book of her body of work that I've completed. The story begins with Lilia walking out of the Brooklyn apartment she shares with her boyfriend Eli to get a paper (she says), but she never comes back. He is stunned by her disappearance, though perhaps he shouldn't be, as he's known she's never stayed in one place for very long. She has her reasons, which we will soon learn through a multitude of voices: Eli as he tries to track her down, the private investigator who's been tracking her for decades, the PI's daughter as she shares her own perspective, Lilia herself reflects on the lure of staying put vs the unavoidable urge to move on. It was remarkable to me to see the many similarities this crime debut had to Mandel's later and decidedly more speculative works.
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The Singer's Gun was Emily St. John Mandel's second novel, published in 2010. In fact, Mandel said she wrote Station Eleven in a deliberately different genre, because she was afraid of getting pigeonholed as a crime writer. In The Singer's Gun Anton Walker has walked away from the family business of false documents, when his cousin ropes him back for just one more job with a bit of blackmail (his previous "final" act of forgery was the Harvard diploma that hangs on his office wall). Anton is stuck between his new simple life, outfitted with apartment, fiancée, and an Italian honeymoon on the horizon, and what he hopes will be an easy price for his promised freedom. He counts the cost, and makes his decision. And that's when things get really interesting.
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Emily St. John Mandel's signature storytelling style connects characters across seemingly unrelated events in this 2020 release. The story follows bartender Vincent on the night she meets Jonathan Alkaitis, who is running a Ponzi scheme, and agrees to pose as his wife until the financial empire collapses. Years later, an investigation begins after a woman disappears from the deck of a container ship. Part classic noir, part financial thriller, part ghost story.
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Emily St. John Mandel weaves a tapestry of stories like no other. In her latest novel, she picks up three main threads: an exiled eighteen year old who hears an unusual sound while trekking the Canadian forest, an author whose book tour takes her to the moon, and a detective whose investigation will tie these tales together. We follow these characters from 1912 to 2401 in a unique story of space, time, art, and a pandemic. I was just as struck by the structure of Mandel’s work as I was by the character development—her books, while quiet and character-centered—are surprisingly propulsive. I enjoyed this mind-bending and utterly unique novel on the physical page, but if you adore multiple narrators, try the audiobook for a fully immersive experience.
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