The Moor’s Account
I got this several months ago from <a href="https://modernmrsdarcy.com/bookofthemonth" target="_blank" >Book of the Month</a>, but my husband beat me to this one. Now he keeps encouraging me to take my turn, which is always a good sign. This is the fictional "memoir" of one of the first Africans to set foot in the United States, an African slave native to Morocco. My husband assures me the strong story, solid plotting, and beautiful writing will make this worth my while—and then we can talk about it.
A New York Times Notable Book.
In this stunning work of historical fiction, Laila Lalami brings us the imagined memoirs of the first black explorer of America–a Moroccan slave whose testimony was left out of the official record. In 1527 the conquistador Pnfilo de Narvez sailed from the port of Sanlcar de Barrameda with a crew of 600 men and nearly a hundred horses. His goal was to claim what is now the Gulf Coast of the United States for the Spanish crown and, in the process, become as wealthy and famous as Hernn Corts. But from the moment the Narvez expedition landed in Florida, it faced peril–navigational errors, disease, starvation, as well as resistance from indigenous tribes. Within a year there were only four survivors: the expedition’s treasurer, lvar Nez Cabeza de Vaca; a Spanish nobleman named Alonso del Castillo Maldonado; a young explorer named Andrs Dorantes de Carranza; and Dorantes’ Moroccan slave, Mustafa al-Zamori, whom the three Spaniards called Estebanico. These four survivors would go on to make a journey across America that would transform them from proud conquistadores to humble servants, from fearful outcasts to faith healers.
The Moor’s Account brilliantly captures Estebanico’s voice and vision, giving us an alternate narrative for this famed expedition. As the dramatic chronicle unfolds, we come to understand that, contrary to popular belief, black men played a significant part in New World exploration, and Native American men and women were not merely silent witnesses to it.
In Laila Lalami’s deft hands, Estebanico’s memoir illuminates the ways in which stories can transmigrate into history, even as storytelling can offer a chance for redemption and survival.