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Books You’ll Just Have To Talk To Someone About

Public shaming used to be a common punishment, but it was stopped long ago: not because it was ineffective, but because it was deemed far too cruel. But with the dawn of social media, public shaming is back in a big way, and it's being carried out by ordinary people. Ronson walks the reader through some recent examples of lives ruined over one public mistake: a fabricated quote in a book, one ill-considered tweet, one Facebook photo that went viral. This is one of the scariest books I've read in a long time, and I'm not saying that lightly. An important but uncomfortable read for anyone on social media, and that's most of us.
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This is the first of French's popular Dublin Murder Squad, although the series need not be read in order. Tana French writes an amazing psychological thriller, and her story here is tight, twisty, and unpredictable. The story has two primary threads: one revolves around a psychopath, the other around a supernatural disturbance, and you'll be sucked right into both. The murder is seriously grizzly, the book unputdownable—although be warned: the ending is highly controversial.
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I have recommended this one in Books You'll Just Have to Talk To Someone About, What Makes a Great Book Club Novel, and other places. I picked this one up when Michael Pollan raved about it, saying it “embodied the spirit of slow food and life.” Paterniti had me from the words Zingerman’s Delicatessen. The story artfully weaves itself right into the heart of Catelonian Spain, but then it becomes muddled and confused. The reader can decide if this is weakness, or metaphor. Book club highlight: the ending. Is it altogether unsatisfying, or completely perfect?
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From the publisher: "The Handmaid's Tale is funny, unexpected, horrifying, and altogether convincing. It is at once scathing satire, dire warning, and tour de force. It is Margaret Atwood at her best."
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This is the true story of the twenty-year relationship between a New York writer and a gentlemanly London bookseller, as told through their correspondence. A must-read classic for bibliophiles, you'll feel compelled to discuss the heartwarming way books bring people together with all your book-loving buddies. If you're craving a gentle, warm, and witty read, this short book belongs on your nightstand.
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I NEVER would have read this if a trusted bookseller hadn't pressed it into my hands and said READ IT: the plot summary would have made me put it right down. But it's one of my favorites of the year. I went into this novel knowing nothing and I liked it that way, so I'll just say Wood explores themes of love, loss, and identity through a quirky 11-year-old boy who loves making lists, a wily 104-year-old woman, an absentee father, a Boy Scout project, and the Guiness Book of World Records. Perfect for fans of The Pilgrimage of Harold Fry and A Man Called Ove.
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In a season where every suspense novel is expected to have a "shocking plot twist!" this tightly-crafted novel makes your jaw drop time and again, without feeling gimmicky or manipulative. I was stunned as I slowly came to see that the story wasn't about what I thought it was about at all. On a dark, rainy night, a mother lets go of her son's hand for just an instant. The devastating accident sets the plot in motion. Part police procedural, part domestic suspense, with the ring of authenticity, no doubt thanks to Mackintosh's own 12 years as a police officer. This is an emotional roller coaster of a book. (Sensitive themes ahead, so mind your triggers.)
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The narrator is Blue van Meer, a teenager who has been moving from town to town with her father ever since her mother died, accompanying him to each of his short-term professorial stints at tiny liberal arts colleges across the country. Her senior year of high school, her father declares they will spend the whole year in one place, and Blue falls in with an enigmatic teacher and a hand-picked group of students she's gathered around her. The whole book is strongly reminiscent of The Secret History, yet despite this I still didn't see that big left turn coming. Smart, snappy, and interesting.
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This novel had me pinned to the couch for two days (or it might have been just one). It reads like the breeziest chick lit, but has a surprising depth that makes me love it even more.
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Finally, a new Patchett novel! And one the author says is largely inspired by her own family history. In the early pages, two families fall apart. We spend the rest of the story examining how each of the family members put themselves back together after the break—or, in some cases, didn't. I would have read this just for Franny's storyline, and I would love to hear Patchett talk more about the inspiration for this particular character. A sad story, but a good one—and one you'll NEED to talk with other readers about.
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This 1930s Gothic classic is an un-put-down-able, curl-up-by-the-fire mystery. Don't be put off by its age: this thrilling novel feels surprisingly current. Suspenseful but not scary, and it holds its tension on a re-reading: a sure sign of a well-crafted thriller.
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This is Nigerian novelist Adichie’s third novel, but the first I've read. The story centers around a smart, strong-willed Nigerian woman named Ifemelu. After university, she travels to America for postgraduate work, where she endures several years of near-destitution, and a horrific event that upends her world. She finds her way, winning a fellowship at Princeton, and gaining acclaim for her blog, called “Raceteenth or Various Observations About American Blacks (Those Formerly Known as Negroes) by a Non-American Black." A highlight: Adichie seamlessly weaves blog posts—about race, national identity, class, poverty, and hair—into the narrative. The novel grapples with difficult issues without becoming overwrought. I would not have read this based on the flap copy, but I was hooked from page one. Haunting, moving, incredibly well done. Terrific on audio.
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From the publisher: "The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, 'each the other's world entire,' are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation."
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