These are the kind of page-turners that will have you reading “one last chapter” until 2:00 a.m. You’ve been warned.
Who really wrote Pride and Prejudice? That mystery drives this literary thriller, which plunges the reader into the world of first editions, secondhand books, and zealous collectors. When a young librarian discovers a document that casts doubt on Austen’s authorship of Pride and Prejudice, she struggles to clear her beloved author of plagiarist charges before it’s too late. Lovett flips back and forth between the time when Jane was writing her best-known story and today’s desperate race to prove her innocence. Lovett’s love of books permeates every page. Farfetched? Of course, but piles (stacks?) of fun for booklovers. If you love this, go back and read Lovett's fantastic debut The Bookman's Tale. More info →
This literary thriller revolves around a manuscript called The Accident, which reveals a damning secret that has been successfully kept for twenty-five years. When the new manuscript mysteriously appears on a literary agent’s desk, all hell breaks loose, beginning with the murder of her assistant. The action unfolds over the course of one desperate, dangerous day, as powerful forces ruthlessly attempt to contain the damage. Featuring some of the same characters from Pavone’s first novel, The Expats. A fast-moving page-turner. More info →
When a deadly dust storm cuts their mission short, astronaut Mark Watney’s crew makes an agonizing decision to return to earth without him. They saw his biosigns go flat: they believe they’re leaving his body behind. But Watney is very much alive, and now he must find a way to survive on Mars, in a damaged station, with limited food and no communication. Next step: to cobble together a rescue plan. Think Cast Away, in outer space. Funny, thrilling, and surprisingly plausible. More info →
This book, set in the rarefied world of professional ballet, is unlike anything I’ve never read in form and content. Spanning 30 years, told from four different viewpoints, this novel sweeps you into the world of classical ballet—a world you didn’t know you’d been longing to enter. Some of the flashbacks are wobblier than others, but the richly drawn characters and powerful storytelling keep you turning the pages, The Times hated it, but nevermind that. (A warning: check all your preconceptions about good girl ballerinas. There’s lots of language, and so much cocaine.) More info →
“Lydia is dead, but they don’t know this yet.” That’s not a spoiler, that’s the opening line of Ng’s stunning debut. When this unexpected loss is discovered, the family begins to fall apart, and as they struggle to understand why it happened, they realize they don’t know their daughter at all. Ng’s use of the omniscient narrator is brilliant: she reveals what’s going on in her characters hearts and minds, allowing the the reader to learn the truth of the tragedy, even if the family never does. An exploration of love and belonging, fraught with racial and gender issues. This is one that will stay with you long after you turn the last page. Powerful, believable, utterly absorbing. More info →