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Quick Lit October 2018

'I am stockpiling antibiotics for the Apocalypse, even as I await the blossoming of paperwhites on the windowsill in the kitchen,' Anne Lamott admits at the beginning of Almost Everything. From the publisher: "Despair and uncertainty surround us: in the news, in our families, and in ourselves. But even when life is at its bleakest--when we are, as she puts it, 'doomed, stunned, exhausted, and over-caffeinated'--the seeds of rejuvenation are at hand. 'All truth is paradox,' Lamott writes, 'and this turns out to be a reason for hope.' We must pledge not to give up but 'to do what Wendell Berry wrote: 'Be joyful, though you have considered all the facts.''"
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Barbara Kingsolver is a must-read author for me. I love her work, especially The Poisonwood Bible. At 466 pages, this is a long book, but I inhaled it. Kingsolver writes that she is explicitly addressing the events of her time, but she does that in part by looking back: her double narrative follows the life-changing decisions and uncertain times experienced by two separate families, one hundred years apart, who both live in the same home in Vineland, New Jersey. Kingsolver found one heck of a subject for the historical element, an American scientist I'd previously never heard of named Mary Treat. I loved the clever linking of the chapter titles—pick up the book and you'll see what I mean.
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I just finished this last night—I started it on book tour and found it too creepy to read late at night in strange hotel rooms! You may know French from her six Dublin Murder Squad mysteries; this is her first standalone. The characters may be unfamiliar, but the slow build, brooding characters, and psychological tension feel like hallmark French. Toby Hennessy is a good-looking, well-to-do twenty-something. He's always considered himself lucky, but early in the novel he makes one bad decision. The devastating consequences lend an eery, off-kilter feel to the whole book (you'll see)—and that's before we get to the murder plot. This would be an excellent companion to Judy Blundell's The High Season for its themes of forgery, family, and privilege.
You may know the outlines of this story from Shadowlands: In her new biographical novel, Henry tells the story of poet Joy Davidman, and how she became the wife of C.S. Lewis. Henry has said she was fascinated by how Davidman, a fascinating woman in her own right, completely transformed her life at a time when it was incredibly difficult for a woman to do such a thing. Henry portrays how a robust correspondence turned into friendship, and then something more. I've read this, and while I thought I was familiar with the story, I learned something new on every page.
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