Rumaan Alam
Rich and Pretty

Rich and Pretty

There's much to love about this book, and yet I've been very reluctant to talk about it here on the blog. It almost made the Summer Reading Guide. It almost made the list of 13 books everyone will be talking about this summer. And yet it's THE book that inspired the post the 8 uncomfortable lines I want to cut from the books I'm reading these days. You may LOVE it, but proceed with caution.

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That Kind of Mother

That Kind of Mother

From the author of Rich and Pretty, a thought-provoking novel about parenthood, race, adoption. There’s a recurring Princess Diana motif in the book and I love that. The scene: late 1980s, Washington DC: diplomat’s wife Rebecca Stone has just given birth to her firstborn, and finds herself completely overwhelmed by the demands of new motherhood. Nurse Priscilla is the only person who soothes her anxieties, so much so that Rebecca persuades her to quit her job at the hospital to become her nanny. Rebecca is white; Priscilla is black—and their relationship opens Rebecca’s eyes to the comfortable truths of her own privilege. A few years later Priscilla’s own pregnancy ends in tragedy, and Rebecca steps forward to adopt Priscilla’s black baby. Her husband is baffled: is Rebecca really prepared for the realities of being a white woman with a black son? In this sensitive and sharply observed novel, Alam probes how far love and good intentions can go.
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Leave the World Behind

Leave the World Behind

Author:
Series: Horror for Wimps

My exact words to my husband Will: This book is WILD. Similar to his last book That Kind of Mother, this new novel features two families whose lives suddenly become intertwined. Amanda and Clay splurge and rent a house on Long Island for a getaway; they couldn’t be happier to spend time with their teen son and daughter away from the city. But late one night, a knock on the door interrupts their pleasant getaway. Ruth and G.H., an older Black couple, own the Long Island house, and beg their short-term tenants to let them crash in the basement. There’s a blackout in the city—not the first they’ve experienced, but this one feels more threatening, somehow—and they’ve come to seek shelter at the safest place they can think of: their second home. Each couple grapples with whether or not to trust the other, while questioning what is happening in the city, whether they are safe here, and what to do next. Psst—they’re not safe, and no one knows what to do. I’d give this an eight-line edit if I could.

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